Resultado de búsqueda
18 de dic. de 1971 · Confessions Among Actresses: Directed by Yoshishige Yoshida. With Mariko Okada, Ruriko Asaoka, Ineko Arima, Miyoko Akaza. The lives of three movie actresses unfold, transform and get exposed. Each of them owes their choice of profession to a respective traumatic event.
A mod film-within-a-film that wears the influence of the European New Wave—think Yoshida does Bergman!— Confessions Among Actresses is a tribute to three great performers, including Yoshida’s regular collaborator (and wife) Mariko Okada. A powerful look at the ties between trauma and the cinema.
23 de oct. de 2015 · Confessions Among Actresses. (Kokuhakuteki joyûron) Directed by Yoshishige Yoshida. With Mariko Okada, Ruriko Asaoka, Ineko Arima. Japan, 1971, digital video, color, 124 min. Japanese with English subtitles. In the wake of his “anti-melodramas” of the 1960s, Kiju Yoshida here applies his radical vision to a Bergmanesque art film, casting ...
Your Rating: 0 /10. Ratings: 7.9 /10 from 5 users. # of Watchers: 13. Reviews: 0 users. What is an actress? This work takes the style that three stories progress simultaneously, following the life of the three actresses who were to appear in the movie “The Confessional Actress Theory” two days ago. Three actresses , Ruriko Asaoka , Atsuko ...
A mod film-within-a-film that wears the influence of the European New Wave—think Yoshida does Bergman!— Confessions Among Actresses is a tribute to three great performers, including Yoshida’s regular collaborator (and wife) Mariko Okada. A powerful look at the ties between trauma and the cinema.
In this intricately layered Japanese film, the nature of actresses and what they gain from acting is explored. The lives of three actresses are laid bare, and scenes from their lives are woven in and out of interviews with each of them. Each of them has experienced a traumatic event which contributes to their particular enjoyment of becoming someone else in dramatic roles.
Confessions Among Actresses is a hard film to rate, and at the same time, a difficult one to talk about coherently. It's the second film by Yoshishige Yoshida that I've seen, and even though it was shorter by about 90 minutes than that other one (Eros + Massacre), I found it a good deal more challenging.
