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Gebhard Ullmann also works as a composer and wrote music for different chamber music ensembles including two string quartets and several solo pieces for woodwind instruments. ... Tá Lam 8 Moritat (99 Records, 1994; with Dirk Engelhardt, Hans Hassler, Heiner Reinhardt, Jürgen Kupke, Joachim Litty, Thomas Klemm, ...
Gebhard Ullmann arbeitet zudem als Komponist und schrieb Werke für diverse Kammermusikbesetzungen einschließlich zwei Streichquartetten und diversen Solo-Kompositionen für verschiedenen ... Moritat (99 Records) 1993. Tá Lam (99 Records) 1992. Suite Noire (Nabel Records) 1991. Per Dee Doo (Nabel Records) 1989. Ullmann/Rava/Willers ...
Gebhard Ullmann (soprano, tenor saxes, looper, sampler) Oliver Potratz (electric basses, analog effects, bass synthesizer) Eric Schaefer (drums, modular synthesizer) ... Moritat (99Records 1994) Tá Lam (99Records 1993) Availability: requests for special concerts or festivals are welcome. Read more.
22 de jul. de 2019 · This release compiles and remasters selections from Tá Lam’s two German only CDs, Tá Lam and Moritat, on 99 Records: the first performed entirely by Ullmannm overdubbing himself up to 16 times on a panoply of woodwinds, ... Gebhard Ullmann, Thomas Morgan & Kresten Osgood - Winter Light (2015) [Hi-Res]
Gebhard Ullmann (born in Bad Godesberg, Germany, November 2, 1957) is a composer and improvisor unique in the jazz world today. Playing a multitude of reeds and flutes, and maintaining an international presence with both European and American groups, Ullmann has created a body of work that is much more than a chronological series of recordings documenting his musical thinking.
4 de oct. de 2007 · The outstanding Moritat represents the physical embodiment of everything that multi-reedman Gebhard Ullmann had learned during the creation of the miraculous Ta Lam (99 Records, 1993). The earlier recording was created using overdubbing and, except for the occasional use of accordionist Hans Hassler, Ullmann's conception was realized by himself alone.
The outstanding Moritat represents the physical embodiment of everything that multi-reedman Gebhard Ullmann had learned during the creation of the miraculous Ta Lam (99 Records, 1993). The earlier recording was created using overdubbing and, except for the occasional use of accordionist Hans Hassler, Ullmann's conception was realized by himself alone.
