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  1. Jimmy McCracklin. Jimmy McCracklin (13 de agosto de 1921 - 20 de diciembre de 2012) fue una pianista, cantante y compositor estadounidense. Su estilo comprende géneros como el West Coast blues, Jump blues y el R&B. 1 Durante su dilatada carrera musical, que abarcó siete décadas, McCracklin compuso un millar de canciones y grabó centenares ...

  2. 28 de dic. de 2012 · Fri 28 Dec 2012 12.39 EST. The blues singer and songwriter Jimmy McCracklin, who has died aged 91, was one of the last survivors of the west coast blues scene of the 1940s to 60s. On that wide and ...

  3. 1972. Recently Edited. Yesterday Is Gone ( LP, Album, Stereo, Sonic Pressing) Stax. STS-2047. US. 1972. View credits, reviews, tracks and shop for the 1992 Cassette release of "High On The Blues" on Discogs.

  4. 24 de oct. de 2013 · Jimmy was born in Helena, Arkansas in 1921, he moved to St. Louis where he learned piano from blues legend Walter Davis. In the mid '40s he fought as a professional boxer under the name "Jimmy Mackey," engaging in over 23 bouts. Moving to California, he made his record debut in 1945 and through the late '40s and early '50s, in Richmond and ...

  5. 21 de ago. de 2007 · 1951-1954 by Jimmy McCracklin released in 2007. Find album reviews, track lists, credits, ... Jump Blues, Regional Blues, West Coast Blues, Early R&B. Recording Date. January, 1951 - February 24, 1954. Discography Timeline See Full Discography. High on the Blues (1971) My Story (1991) A Taste of the Blues (1994) Tell It to the Judge!

  6. Jimmy McCracklin played piano and sang in front of his band for over sixty years in styles ranging from West Coast Blues through R&B to Soul. ... Jimmy joined the Stax label and released ‘High on the Blues’,with the Memphis Horns in 1971. Jimmy continued to play, and occasionally record, his massive repertoire through the 70s and 80s.

  7. High On The Blues. Given that this was co-produced by Al Jackson (of Booker T. & the MG’s) and Willie Mitchell (of Hi Records), and adds embellishment by the Memphis Horns, it’s unsurprising that this is very much a soul-blues record. It’s a workmanlike effort with an early-’70s Stax period feel, including remakes of two of his past R&B ...