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  1. Biographie. George J. Folsey débute au cinéma en 1915 comme deuxième assistant opérateur, puis en 1919 comme chef opérateur.Il exerce régulièrement cette dernière fonction (sur 160 films en tout, principalement pour la Metro-Goldwyn-Mayer) jusqu'en 1963, avant de collaborer à deux dernières réalisations en 1972 et 1976.Il est également acteur (unique apparition à ce titre) dans un ...

  2. From Wikipedia, the free encyclopedia George Joseph Folsey, A.S.C. (July 2, 1898 – November 1, 1988) was an American cinematographer who worked on 162 films between 1919 and his retirement in 1976. Born in Brooklyn, Folsey was hired by Jesse Louis Lasky to work as an office boy in his newly formed Jesse L. Lasky Feature Play Company in New York City. He earned his first screen credit for His ...

  3. George J. Folsey. Highest Rated: 100% Meet Me in St. Louis (1944) Lowest Rated: 60% The Balcony (1963) Birthday: Jul 2, 1898. Birthplace: New York, New York, USA. Veteran cinematographer, long ...

  4. sincroguia-tv.expansion.com › p › george-j-folsey--88JGeorge J Folsey | SincroGuia TV

    Toda la información de George J Folsey. Donde ver a George J Folsey.

  5. Accreditato come George J. Folsey o solo come George Folsey, era il padre di George Folsey, Jr., montatore e produttore cinematografico. Premi e riconoscimenti [ modifica | modifica wikitesto ] 13 Nomination all'Oscar per la Miglior Fotografia (a fianco l'anno dell'edizione dell'Oscar e la categoria, nei casi in cui si distinguono i film in base alla tipologia di fotografia):

  6. George J. Folsey (* 2.Juli 1898 in New York City, New York; † 1. November 1988 in Santa Monica, Kalifornien) war ein US-amerikanischer Kameramann.. Leben und Werk. George J. Folsey begann seine Karriere 1913 als Laufbursche bei der von Jesse L. Lasky mitgegründeten Jesse L. Lasky Feature Play Company in New York City.Nur wenige Monate später wurde er bereits Kameraassistent in einer ...

  7. Pioneer cinematographer George Folsey started out in 1914 as an errand boy with the Lasky Feature Play Company in New York. His introduction to camerawork came, when he was asked by cinematographer H. Lyman Broening to assist with post-production (tracking dissolve and fades for intercutting). By the time he was 21, he had worked his way up the ladder to lighting cameraman.