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Possession is a 1981 psychological horror drama film directed by Andrzej Żuławski and written by Żuławski and Frederic Tuten.The plot obliquely follows the relationship between an international spy and his wife (Isabelle Adjani), who begins exhibiting increasingly disturbing behavior after asking for a divorce.Possession, an international co-production between France and West Germany, was ...
21 de feb. de 2016 · Andrzej Żuławski, who has died of cancer aged 75, was one of the rare breed of film directors who refuse to compromise their singular vision for either commercial or ideological reasons.
A non-conformist director, screenwriter, novelist, essayist, his approach to storytelling is idiosyncratic and characterised by explosions of violence, sexuality, and despair. His visions are influenced by his experiences in wartime and communist Poland and his French education.
18 de feb. de 2016 · Ralph Gatti/Agence France-Presse — Getty Images. Andrzej Zulawski, a Polish director who blended surrealism, horror and psychic excess in the emotionally savage films “The Important Thing Is ...
28 de oct. de 1983 · Possession: Directed by Andrzej Zulawski. With Isabelle Adjani, Sam Neill, Margit Carstensen, Heinz Bennent. A woman starts exhibiting increasingly disturbing behavior after asking her husband for a divorce. Suspicions of infidelity soon give way to something much more sinister.
The great Ukraine born Polish director Andrzej Zulawski may have ‘only’ 14 films to his credit as director, but they form one of the most ferociously original canon’s of world cinema, marked by formal and thematic experimentation and a keen sense of humanity on the edge of social chaos. His films almost always focus on singular characters or couples but also reflect broader political and ...
6 de mar. de 2012 · Interview: Andrzej Zulawski. By Margaret Barton-Fumo on March 6, 2012. The experience of watching a Zulawski film is exponentially rewarding when you’ve had the pleasure of seeing more than one. As with all dense cinema—and much of Zulawski’s work is packed with wordy dialogue, quick pacing, and confounding behavior—it’s a pleasant ...
