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28 de dic. de 2023 · Ted Reichman in the New York Review of Books Daily. October 8, 2018. Photo by Julia Dratel/Drag City. I started contributing to the New York Review of Books Daily in the summer of 2018. My first article, on “Salome,” a live silent film performance by Haley Fohr (aka Circuit des Yeux), is available.
Ted Reichman. 1. Curves, Planes, Down Pressure, Filigree and Back. 00:00. 40:52. Live improvisation for accordion and analog synthesizers. ( July 2019, Bandcamp) To make a long story short, but also, in a way, backwards- in the middle of making a dub record (not “Subtext In Dub”) I made this, then threw away the dub record.
16 de mar. de 2021 · March 16, 2021 Ted Reichman Almost twenty-five years ago, in December, 1996, I took a trip to Staten Island to visit Guy Klucevsek, which resulted in this interview. If you sense a certain twerpish enthusiasm, the unguarded earnestness of a young ballplayer called up from the minors a little too early, please be kind.
Reichmann Land and Cattle is a family owned and managed operation based near the community of Villard in Pope County Minnesota. Ted and his family operate a diversified grain and cattle operation in the land of 10,000 Lakes. Being a good steward of the land and water is a high priority as a farmer. All efforts are made to not only keep the land ...
12 de ene. de 2021 · January 12, 2021 Ted Reichman. Let’s Call This listening in late 2020. In early June, 1996 I went to the Village Vanguard, to see the Mal Waldron Steve Lacy duo. I was with Roland Dahinden, who was visiting from Switzerland. It was a weeknight, and it was casual at the Vanguard.
Ted Reichman has been on the faculty of the New England Conservatory of Music in Boston, Massachusetts for over ten years. He has worked with some of the top young artists in creative music including Simon Hanes, Wendy Eisenberg and Steve Long.
12 de may. de 2022 · Dreaming Of Hal. In late 1988 or early 1989, I bought a cassette of Stay Awake: Various Interpretations of Music from Vintage Disney Films. I don’t remember how I found out about it. Maybe I saw it on display at the then-new Boston location of Tower Records, in the freshly Frank Gehry-redesigned building at the corner of Newbury Street and Massachusetts Avenue, which I visited every Saturday ...
