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14 de ago. de 2023 · The artists behind notable Treatise recordings so far aren’t exactly “musical innocents.”Petr Kotík, a highly credentialed associate of Cardew’s who would go on to found and direct the long-running contemporary classical juggernaut S.E.M. Ensemble, performed Treatise pages he’d received from Cardew with his own QUaX Ensemble in Prague on October 15, 1967—the same year Treatise was ...
29 de feb. de 2016 · Cornelius Cardew was a fascinating figure. Both in his life, and through his music, he posed questions with which I find myself in equal sympathy and conflict. He is undeniably one of the most important figures in the Post-War British avant-garde. Cardew, by all accounts, was a prodigy. During his early twenties he worked at…
Cornelius was the second of three sons born to Michael and Mariel Cardew. His father was a potter, his mother an artist. The family moved to Cornwall a few years after his birth and it was from here that he was accepted as a pupil by the Canterbury Cathedral School which had evacuated to the area during the war because of the bombing.
26 de may. de 2011 · T he London premiere of Cornelius Cardew's Bun No 1 was one of the highlights of last year's Proms. It was the first time anything by Cardew had been heard there since 1972, when the first ...
Cornelius Cardew created Treatise, the ‘Mount Everest’ of visual musical scores and graphic notation, to break away from the straitjacket of traditional musical notation. There are many notable examples of graphic notation from Cowell to Cage, yet what sets Treatise apart is in its ambition and skill in conception.
Works. Cornelius Cardew (b. 1936, Winchcombe, England; d. 1981) Scores for Volo Solo, The Great Learning, Thälmann Sonata, and Thälmann Variations, We Sing for the Future, Coming Together, Schooltime Compositions, Incidental Music to Words by Bertolt Brecht, and Six Dealer Concerts Dealt into Music Notation (1965–80) The British Library, London, Horace Cardew and Edition Peters
4 de nov. de 2008 · Cardew's political enthusiasms may have been questionable, but a recent memorial concert demonstrated the glorious range of his experimental spirit, says Richard Gott. Tue 4 Nov 2008 11.07 EST. T ...
