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  1. Patrick Moraz/Bill Bruford - Everything You've Heard is True. 6:11; Patrick Moraz & Bill Bruford KARU. 3:48; Bill Bruford - The Drum Also Waltzes (Max Roach) 2:53; Patrick Moraz&Bill Bruford - Temple of Joy. 4:56; Lists Add to List. Red Covers by etienne.stekelenburg;

  2. Patrick Moraz/Bill Bruford - Everything You've Heard is True. 6:11; Patrick Moraz & Bill Bruford KARU. 3:48; Bill Bruford - The Drum Also Waltzes (Max Roach) 2:53; Patrick Moraz&Bill Bruford - Temple of Joy. 4:56; Lists Add to List. Add to List. Ad. Contributors. NikG, testuser01. Report Suspicious Activity. Ad. Ad. About Discogs. About Us;

  3. 21 de oct. de 2023 · The person who fitted that bill precisely was Patrick Moraz. The Swiss keyboard player was best known in the UK for his ebullient performances as a member of Refugee, the trio formed by Emerson’s former bandmates in The NIce Lee Jackson and Brian Davison after the keyboard player had quit to form ELP.

  4. 29 de mar. de 2008 · Bill Bruford (acoustic and electronic drums and percussion), Patrick Moraz (Steinway D Concert Grand, Kurzweil 250, themes and arrangement). Produced by Patrick Moraz and Bill Bruford; engineered by Barry Radman and Jean Ristori, mixed by Barry Radman; technical assistance by Errol Maibach.

  5. Listen to Flags by Patrick Moraz & Bill Bruford on Apple Music. Stream songs including "Temples of Joy", "Split Seconds" and more. Album · 1985 · 10 Songs. Sign In Search. Listen Now Browse Radio Search Try Beta. Sign In Flags Patrick Moraz ...

  6. Description. Bill Bruford was the original drummer in YES and a long term member of KING CRIMSON before devoting his career to jazz. Patrick Moraz was also a member of YES, during the Relayer period, and then became a member of THE MOODY BLUES. The Moraz-Bruford collaborative albums have always held a fascination amongst fans because they ...

  7. Bill Bruford est l'ancien batteur de Yes (avant Relayer) et de King Crimson (et d' U.K.). Il s'est rapidement tourné vers le jazz-rock et le jazz plus contemporain, parfois cérébral. Cet album est le dialogue entre la batterie plutôt électronique de Bill et les claviers plutôt synthétiques de Patrick, avec un soucis constant dans le discours, de la mélodie.