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  1. In 1948, Jean Dubuffet joined with Surrealists André Breton and Charles Ratton to establish Art Brut, or outsider art, a style of image-making modeled after the art collection of Dr. Prinzhorn. The primitive, childlike approach to art was an alternative to the conventional art world aesthetic, and the return to figuration was a deliberate about-face from the abstract, non-objective canvases ...

  2. 3 de may. de 2021 · By the end of the 20th century, with Dubuffet gone and his works a lot less treasured, even in France, art brut seemed very marginal again. Now all that has changed. Street artists are stars and ...

  3. Jean Dubuffet (1901 – 1985) resisted authority from an early age. He didn’t see the art world in the way that society saw it at the time. He was greatly influenced by Hans Prinzhorn’s book Artistry of the Mentally Ill and found the art of the insane and of children to be far superior to […]

  4. 3 de sept. de 2020 · Jean Dubuffet, one of the most famous European artists of the postwar era, had an imagination that knew no bounds. In his rough-hewn paintings, drawings, and sculptures ranging from abstraction to ...

  5. Le Havre, 1901–Paris, 1985. A towering figure of postwar European art, Jean Dubuffet is also known for gathering a large personal collection of works by artists that he perceived as self-taught or marginalized. He coined the term art brut (raw art) to describe the leading principle of his collecting and exhibiting activities, a notion that he ...

  6. artsandculture.google.com › entity › ジャン・デュビュッフェJean Dubuffet — Google Arts & Culture

    Jean Philippe Arthur Dubuffet was a French painter and sculptor. His idealistic approach to aesthetics embraced so-called "low art" and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image-making. He is perhaps best known for founding the art movement art brut, and for the ...

  7. In 1923, after reading Hans Prinzhorn’s Artistry of the Mentally Ill (1922), in which the art of the mentally ill was first considered to have aesthetic value, Dubuffet became interested in pictures made by those without formal training—the uninitiated, the alienated, and especially the insane. In 1945, he started a collection of these pictures, which he called "art brut" (raw art).