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The Marriage of Figaro (Italian: Le nozze di Figaro, pronounced [le ˈnɔttse di ˈfiːɡaro] ⓘ), K. 492, is a commedia per musica (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte.It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, La ...
27 de may. de 2003 · Discover Mozart Edition, Vol. 25: Oratorios by Various Artists released in 2003. Find album reviews, track lists, credits, awards and more at AllMusic.
14 de dic. de 2020 · A lightening pace. From the early 1730s, Handel recognised a change in the taste of his audience and turned more towards writing oratorios. Messiah is his sixth work in this genre, (he wrote 25 ...
Libera Nos is the very first multi-faith oratorio to be performed anywhere in the world. This monumental work was originally commissioned by the Musica Sacra organisation and took over three years to be researched and completed. This major new work comprises 60 original vocal and instrumental compositions structured into four main sections ...
The Oratorio: A Documentary with Martin Scorsese. 55m 45s. Martin Scorsese reveals the story of a single performance in 1826 that forever changed America's cultural landscape with the introduction of Italian opera to New York City – an event Mozart's great librettist Lorenzo Da Ponte helped orchestrate. Episodes.
31 de mar. de 2022 · Cantata Vs Oratorio. Both of these types of choral music have enjoyed popularity for many hundreds of years. Such was the demand for cantatas during the Baroque era that Georg Philipp Telemann (1686-1767), is credited with having composed an astonishing 1700 cantatas.. JS Bach was also a prolific composer of cantatas and if you listening to either of these fine composers is a solid place to ...
The Requiem in D minor, K. 626, is a Requiem Mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had commissioned the piece for a requiem service on 14 February 1792 to ...
