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2 de nov. de 2016 · Pauline Oliveros, Composer Who Championed ‘Deep Listening,’ Dies at 84 Pauline Oliveros, a composer whose life’s work aspired to enhance sensory perception through what she called “deep listening,” died on Thursday at her home in Kingston, N.Y. She was 84.
Provided to YouTube by The Orchard EnterprisesLear · Pauline Oliveros, Stuart Dempster, Panaiotis · Pauline Oliveros, Stuart Dempster & PanaiotisDeep Listeni...
21 de ene. de 2023 · In her first performance of the 2022–2023 season, Debs Creative Chair Claire Chase makes full use of the uniquely intimate, 360-degree Center Stage configuration of Zankel Hall. It’s the ideal setting for a program that pays tribute to Pauline Oliveros, the visionary composer and performer whose philosophy of Deep Listening® has inspired many of Chase’s sonic explorations.
The composer, performer and philanthropist Pauline Oliveros is an important pioneer of electronic music. Her album »Deep Listening« (1988) is titled a milestone in spatial sound art. For four decades Pauline Oliveros (1932–2016) has been researching tones and sounds receiving international recognition, thus opening up new paths for herself and others.
Sound Pieces by Pauline Oliveros and Apartment House, released 06 April 2023 1. Quintessential 2. Sound Piece 3. Horse sings from cloud 4. From unknown silences 5. David Tudor 6. Peace / Tree, movement 1 7. Peace / Tree, movement 2 8. Peace / Tree, movement 3 9. Peace / Tree, movement 4 10. Peace / Tree, movement 5 11. Peace / Tree, movement 6 12.
15 de nov. de 1998 · PAULINE OLIVEROS was a senior figure in contemporary American music. Her career spans fifty years of boundary dissolving music making. Since the 1960's she influenced American music profoundly through her work with improvisation, meditation, electronic music, myth and ritual.
3 de dic. de 2016 · Pauline Oliveros was born in Houston, Texas in 1932. The wide open expanses of Texas, populated with wildlife, had a deep impact on her thinking. ‘I was always fascinated with listening to my environment,’ she wrote in her 2005 book Deep Listening: A Composer’s Sound Practice. ‘From early childhood I have been a listener.
