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4 de jul. de 2018 · Robby Muller, Renowned Cinematographer for Wenders, Von Trier, Jarmusch, Dies at 78. Robby Muller, the Dutch director of photography of such striking ’80s and ’90s films as “Dancer in the ...
4 de jul. de 2018 · Dutch cinematographer Robby Muller, whose credits spanned such films as Repo Man; Paris, Texas; Breaking The Waves ; and To Live And Die In LA , has passed away. His family told local media in ...
Robby Müller (4 d'abril de 1940, Willemstad – 3 de xunetu de 2018, Ámsterdam) foi un cinematógrafu nacíu en Willemstad, Antilles Neerlandeses.El so nome ta de cutiu acomuñáu col direutor Wim Wenders.. Trabayos. La primer película na que trabayó foi Alabama: 2000 Light Years from Home (1969). Tamién foi la primer película de Wim Wenders y trabayaríen xuntos en próximes ...
4 April 1940–4 July 2018. Crucial though the cinematographer’s input usually is, few become household names, and fewer have their passing immediately marked by the likes of Rolling Stone. But for anyone who came of age cinematically in the 1970s and 80s, Robby Müller was one of the most exciting and innovative cinematographers on the planet.
27 de jun. de 2019 · Taken between the mid 1970s and late 1990s, the unseen collection was discovered in Müller’s Amsterdam apartment following his death last year, a forgotten trove of rough drafts that lie behind the grand masterpieces. Just as his work on film, the Polaroids evidence Müller’s deft handling of light, his hazy rendering of the everyday into ...
29 de ene. de 2014 · Jan 29, 2014. When talking about influential cinematography, it's impossible not to talk about Dutch cinematographer Robby Müller. His style is as distinct as those of the famed directors he has formed long-time collaborations with, like Wim Wenders and Jim Jarmusch. His approach to photographing a film begins with understanding its meaning ...
4 de jul. de 2018 · Müller and Jarmusch’s collaborations include films in color such as Mystery Train and Ghost Dog: The Way of the Samurai, but Down by Law and Dead Man are especially remarkable for the texture and depth of the black-and-white cinematography. In the immediate wake of the news of Müller’s death, Jarmusch reaffirmed his debt in a tweet: “I love him so very much.
