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  1. 26 de jun. de 2017 · My first chords, hope you like it ^.^ no capo *F6 is like this: x03231 [VERSE 1] A A7 A6 F6 Picture yourself in a boat on a river A A7 A6 F With tangerine trees and marmalade skies A A7 A6 F6 Somebody calls you, you answer quite slowly A A7 F Dm A girl with kaleidoscope eyes Bb C Cellophane flowers of yellow and green F Bb Towering over your ...

  2. Acordes, Letra y Tablatura de la canción Lucy In The Sky de The Beatles (The Beatles Lucy In The Sky). ¿Cómo tocar Lucy In The Sky en la guitarra?. Aprende esta canción y muchas mas en acordesweb.

  3. 9 de jun. de 2019 · F G9 Cellophane flowers of yellow and green, C6 F towering over your head. G6 D F#m/C# Bm A Look for the girl with the sun in her eyes, and she's gone. ____Chorus: D G(add9) A7 Lucy in the sky with diamonds D G(add9) A7 Lucy in the sky with diamonds D G(add9) A7 Lucy in the sky with diamonds A Ah______ ____Verse: 2 E E/D C#m7 Caug Follow her ...

  4. Lucy In The Sky Acordes por The Beatles. 13.755 vistas, añadido a favoritos 130 veces. Dificultad: intermedio: Cejilla: sin cejilla: Autor Unregistered. Última edición el Feb 10, 2014. ... G C D Lucy in the sky with diamonds G C D Lucy in the sky with diamonds G C D D A Lucy in the sky with diamonds, ...

  5. 31 de dic. de 2019 · ぼんやりした頭で後部座席に乗り込むと. 君は行ってしまった. Lucy in the sky with diamonds. Lucy in the sky with diamonds. Lucy in the sky with diamonds. Ahh. ルーシーはダイヤモンドをまとって空にいる. Picture yourself on a train in a station. With plasticine porters with looking glass ties.

  6. Aprenda a tocar a cifra de Lucy In The Sky With Diamonds (The Beatles) ... Eb (forma dos acordes no tom de C) Capotraste na 3ª casa Primeira Parte: E D9 Picture yourself C#m7 C7M(5+) In a boat on a river ...

  7. es.slideshare.net › slideshow › lucy-in-the-sky-with-diamondsLucy In The Sky With Diamonds | PDF

    4 de dic. de 2009 · 8 LUCY IN THE SKY WITH DIAMONDS La siguiente sección –pre‐estribillo– (Fig. 14) modula inicialmente a F mayor (Fig. 15), estableciendose con claridad la nueva tonalidad a través de los acordes construídos sobre los grados tonales (I, IV y V), a lo cual se contrapone el desarrollo de la melodía, centrado en el sexto grado (D – submediante), el cual se impone independientemente del ...