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Beach Boys: Smile. Buffalo Springfield: Again (Atco) Devil's Anvil: Hard Rock From the Middle East (1967) Cream: Disraeli Gears (Reaction) Incredible String Band: 5,000 Spirits or the Layers of the Onion (Elektra) John Mayall: Hard Road (Decca) Le Stelle di Mario Schifano: Dedicato A. Red Crayola: Coconut Hotel.
Tim Buckley: Goodbye & Hello Jefferson Airplane: After Bathing At Baxter's Traffic: Mr Fantasy 1968: Electric Prunes: Mass In F Minor Procol Harum: A Whiter Shade Of Pale Blood Sweat & Tears: Child Is Father To Man Fleetwood Mac: Fleetwood Mac Iron Butterfly: Heavy ISB: The Hangman's Beautiful Daughter Spirit: Spirit Pentangle: Pentangle
Nel 1968 si converti` anche lei, come tutti, al country di Nashville con I'm Gonna Be A Country Girl Again (Vanguard, 1968), ma diede il suo capolavorono con l'album Illuminations (Vanguard, 1969), arrangiato in maniera elettronica dal compositore Michael Czajkowski in modo da fungere da ponte fra il folk psichedelico di Tim Buckley e il folle lirismo di Diamanda Galas (God Is Alive).
Taking the cue from the most abstract songs of Bob Dylan and Tim Buckley, from psychedelic and progressive rock, from the Celtic bards and the soul singer, Van Morrison invented a new kind of singer-songwriter, one who uses the basic components of folk, country, jazz, and rhythm and blues to compose songs that are deeply personal and even philosophical.
Lo scozzese John Martyn (all'anagrafe Iain McGeachy) e` uno dei pochi cantanti che possa competere con Tim Buckley in fatto di creativita` vocale e uno dei piu` vicini alle tecniche del jazz. I suoi capolavori sono dischi complessi e difficili che sfocano i confini fra folk, blues, soul e jazz.
Dakota Suite is the project of English singer-songwriter Chris Hooson, an intimate, pessimistic philosopher in the vein of Nick Drake but with the delicate lyricism of Mazzy Star and a flair for mixing soul, folk and jazz (the melancholy Chet Baker brand) via clever, atmospheric arrangements that recalls Tim Buckley and Tom Waits. Songs For A Barbed Wire Fence (Glitterhouse, 1998) was the ...
1966 - Tim Buckley, Elektra Records "Didn't quite reach the heights of his later work, but it established him as an incredibly unique vocalist and songwriter. Recorded when he was just 19, Buckley's sad ... Piero Scaruffi - scaruffi.com. 1970 - Starsailor, Straight/Warner ...
