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The Copenhagen Tapes is an album by American free jazz saxophonist Albert Ayler consisting of six tracks recorded live at the Club Montmartre in Copenhagen, Denmark on September 3, 1964 plus three tracks recorded in a studio by Danish Radio in Copenhagen on September 10 of the same year.The album was released in 2002 by Ayler Records.The live tracks were also included on disc two of the 2004 ...
Professional ratings. Music Is the Healing Force of the Universe is a 1969 album by Albert Ayler, written by Ayler's partner, Mary Maria Parks. Along with The Last Album, which contains outtakes from the same session, this was Ayler's last studio album recorded before his death in November 1970. [4]
Gérard Terronès. Tribute to Albert Ayler Live at the Dynamo is an album by a free jazz quartet composed of trumpeter Roy Campbell, multi-instrumentalist Joe McPhee, bassist William Parker and drummer Warren Smith . The record documents a November 2008 performance at the Dynamo ( Pantin ), a concert hall dedicated to jazz in the suburbs of ...
American jazz saxophonist
Die Like a Dog: Fragments of Music, Life and Death of Albert Ayler is a live album by saxophonist Peter Brötzmann, trumpeter Toshinori Kondo, bassist William Parker, and drummer Hamid Drake.It was recorded in August 1993 at Townhall Charlottenburg in Berlin, and was released in 1994 by FMP. The group, which would go on to tour and make multiple recordings, became known as the Die Like a Dog ...
2. Kasper Collin (born November 16, 1972) is a Swedish film director, documentary filmmaker, screenwriter and film producer based in Gothenburg, Sweden. His first feature documentary was My Name Is Albert Ayler [1] which was well received when it opened theatrically in UK and US in 2007 and 2008. Metacritic gives the film 83 out of 100 and has ...
Donald Ayler (October 5, 1942 – October 21, 2007) was an American jazz trumpeter. [1] He was best known for his participation in concerts and recordings by groups led by his older brother, saxophonist Albert Ayler. An obituary in The Wire praised his "buzzing, declamatory trumpet playing, which was part Holy Roller primitive, part avant garde ...
