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Léger applied color, however, with little regard for naturalism; his observance of chiaroscuro developed into an exploration of the syncopation that black and white can invigorate across a surface. The central part of The Village is painted in the colors of the French flag—blue, white, and red—a patriotic note during the increasing political tension in which Léger worked.
Biography. Joseph Fernand Henri Léger ( French pronunciation: [fɛʁnɑ̃ leʒe]; February 4, 1881 – August 17, 1955) was a French painter, sculptor, and filmmaker. In his early works he created a personal form of cubism (known as "tubism") which he gradually modified into a more figurative, populist style. His boldly simplified treatment of ...
Joseph, Fernand Henri Léger was born on February 4 th, 1881 in Argentan (Orne). His father, a cattle dealer, dies in 1884. An only son, he is raised by his mother, Marie-Adèle Daunou, a self-effacing and pious woman. 1881. « If my father had lived a few years longer, I would have become a cattle dealer like him.
Fernand Léger, född 4 februari 1881 i Argentan i Orne, död 17 augusti 1955 i Gif-sur-Yvette i Essonne, var en fransk bildkonstnär. Biografi. Fernand Léger flyttade till Paris vid 19 års ålder. Hans tidiga verk är tydligt influerade av impressionismen. Runt 1908 ...
(Fernand Léger, Resmin İşlevleri, İstanbul, Janus Yayıncılık, 2014.) Soyut sanatın evrenselliğini çekici bulan Léger, bu sanatı mimarlığın tamamlayıcı bir öğesi olarak görüyordu. Modern resim, mimarlıktaki modern hareketle de el ele yürüyordu. Fernand Léger, çağının beklentilerine uygun davrandı.
Fernand Léger (4. února 1881 – 17. srpna 1955), celým jménem Joseph Fernand Henri Léger, byl všestranný francouzský výtvarník – malíř, sochař, grafik, dekoratér, filmový tvůrce a výtvarný teoretik. Od počátečního období ve stylu kubismu postupně došel k vlastnímu osobitému výrazu, který nese výrazné primitivistické rysy s důrazem na barvu a modelaci figury.
Fernand Léger. Animated Landscape, 1924. Philadelphia Museum of Art Fernand Léger. La ciudad, 1919. Philadelphia Museum of Art. La motivación que llevaba a Léger a pintar máquinas era la misma que conducía a otros a pintar desnudos femeninos, pero él no era como Duchamp, que copiaba objetos y proclamaba la muerte de la pintura; no ...
