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24 de abr. de 2023 · The Quietus Published 7:53am 24 April 2023. Coil, circa Love’s Secret Domain. Everything Keeps Dissolving: Conversations With Coil is a compendium of interviews with John Balance and Peter Christopherson (among others), lovingly edited by Nick Soulsby and published by Strange Attractor, which tells the quarter of a century long story of the band.
ピーター・クリストファーソン（Peter Christopherson、1955年 2月27日 - 2010年 11月24日）は、アーティスト。 ビデオ・ディレクター、グラフィック・デザイナーであり、ヒプノシスの元メンバー。 ミュージシャン。 インダストリアル・ミュージックの先駆者で、スロッビング・グリッスルの元メンバー。
3 de jul. de 2023 · Peter Christopherson, Aubrey Powell and Storm Thorgerson at work. Photograph: Hipgnosis Ltd. Movies. This article is more than 9 months old. ... There are interviews, too, with Peter Saville, ...
Contact Info. Email: peter.christoffersen@rotman.utoronto.ca. Skype: peter.f.christoffersen. Phone: 416-946-5511 (office) Short Bio. Peter Christoffersen holds the TMX Chair in Capital Markets at the Rotman School of Management at the University of Toronto and is a Fellow of the Bank of Canada. He is the author of the book Elements of Financial ...
17 de nov. de 2008 · It's not every day you get to interview a legend. Besides co-founding three of post-punk's most important bands (Throbbing Gristle, Psychic TV, Coil), Peter Christopherson has worked in video and other artistic mediums for nearly 40 years. After being dubbed “wreckers of civilization” with Throbbing Gristle, “Sleazy” parted ways with ...
13 de nov. de 2014 · Peter Christopherson: Photography. The legendary unpublished photographic work of Peter Christopherson. The b/w photos featured in the book run the gamut from personal fetishes to social commentary on 1970s UK, portraits of bands, friends and strangers. There are both snapshots and highly staged scenarios.
The London-based design agency known as Hipgnosis, comprising primarily Storm Thorgerson, Aubrey Powell and later Peter Christopherson (along with several itinerant freelance collaborators), stood at the forefront of rock's imaginative leap from the mundane to the magical (and also occasionally into the absurd and grotesque) during its operation from 1968 to 1983.
