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  1. Synopsis. Mitch Wayne is a geologist working for the Hadleys, an oil-rich Texas family. While the patriarch, Jasper, works hard to establish the family business, his irresponsible son, Kyle, is an alcoholic playboy, and his daughter, Marylee, is the town tramp. Mitch harbors a secret love for Kyle's unsatisfied wife, Lucy -- a fact that leaves ...

  2. 23 de jul. de 2016 · Uma espécie de faz-tudo, sempre disponível a ajudar, chegando a abrir mão de seu amor. Robert Stack acerta o tom de seu personagem Kyle, um homem totalmente descontrolado, alcoolatra e com uma baixa autoestima. Stack não chegou a ganhar um Oscar por suas performances, mesmo sendo indicada por sua participação em Palavras ao Vento.

  3. Written on the Wind (bra: Palavras ao Vento; prt: Escrito no Vento) é um filme estadunidense de 1956 do gênero Drama, dirigido por Douglas Sirk.O roteiro de George Zuckerman foi baseado em livro homônimo de Robert Wilder de 1945. O livro por sua vez conta a versão de um escândalo verdadeiro que envolveu Libby Holman e seu marido, o magnata do tabaco Smith Reynolds, filho de R.J. Reynolds.

  4. Written on the Wind. 86 Metascore. 1956. 1 hr 39 mins. Drama. NR. Watchlist. An alcoholic playboy working for his oil tycoon father woos and marries the girl secretly loved by his longtime best ...

  5. 風と共に散る. 『 風と共に散る 』(かぜとともにちる、 Written on the Wind )は、 1956年 の アメリカ合衆国 の 恋愛映画 。. 監督は ダグラス・サーク 、出演は ロック・ハドソン と ローレン・バコール 、 ロバート・スタック 、 ドロシー・マローン など ...

  6. www.bfi.org.uk › film › ec35ab2f-5573-5107-a769-e752182c2e56Written on the Wind (1956) | BFI

    Written on the Wind (1956) Douglas Sirk’s deliriously bold melodrama about a Texan oil dynasty troubled by a tearaway generation was an antecedent to TV’s Dallas. Crucially, the deepest sympathies are extended not to the ‘respectable’ outsiders (Rock Hudson, Lauren Bacall) but to their volatile, love-hungry counterparts in the family (Robert Stack, Dorothy Malone).

  7. 21 de mar. de 2010 · So Written on the Wind falls back on the stock clichés of the genre, making its enfants terribles into a pair of spoiled rich kids. Nonetheless, Sirk gets away with an outrageously symbolic shot when the film ends with Marylee caressing a phallic-looking replica of an oil well as her substitute for the hunky Mitch, who has eluded her grasp.