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The Floating World of Ukiyo-E Exhibition Home. September 27, 2001–January 19, 2002. This exhibition showcases the Library's spectacular holdings of Japanese prints, books, and drawings from the 17th to the 19th centuries. These works are complemented by related works from the Library's collections created by Japanese and Westerns artists into ...
14 de ago. de 2015 · According to David Waterhouse, Ukiyo could mean either “floating world” or “sad troublesome world,” and, of course, –e refers to the picture. The author notes that in the early seventeenth century, more cheerful interpretations of the term “ukiyo” made their way into printed collections of lighthearted tales, miscellanies and ...
1 de abr. de 2015 · Ukiyo-e, literally "pictures of the floating world", are a genre of Japanese woodblock print that were mass produced in color beginning in the 1760s. Being mass produced, the goal was to sell as many copies as possible and ukiyo-e typically depict the popular topics of the day such as geisha, kabuki actors, myths and contemporary events.
During the Edo Period (1615-1868), a uniquely Japanese art from developed known as ukiyo-e, or "pictures of the floating world."A Buddhist concept, ukiyo originally suggested the sadness (uki) of life (yo).But during the peace and prosperity of the 17th century, another ideograph, also pronounced uki but meaning "to float," emerged. Instead of connoting sadness, ukiyo came to be associated ...
6 de oct. de 2019 · Ukiyo was an unrivaled arena for artistic talent of all kind, marshaled to please the refined taste of the sinking samurai and rising merchants alike. One of the most enduring art forms that arose from the Floating World is the ukiyo-e, literally "Floating World picture," the famed Japanese woodblock print. Colorful and beautifully crafted, the ...
L'estampe ukiyo-e, un art à la portée de tous [ modifier | modifier le code] Cette forme d’art connaît une grande popularité dans la culture métropolitaine d'Edo durant la seconde moitié du XVIIe siècle, naissant dans les années 1670 avec les travaux monochromes de Moronobu qui en fut le premier chef de file N 2 .
