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12 de feb. de 2023 · In House of the Sleeping Beauties, Kawabata Yasunari, winner of the 1968 Nobel Prize in literature, deals with themes that run throughout his works: the beauty of women, a yearning for the past, a search for an illusory happiness, and death. He allows the reader to enter the interior world of the protagonist and experience with Eguchi the misery and longings that come with old age.
Nemureru Bijo ( Título original) House of Sleeping Beauties ( España) Dirigida por Hiroto Yokoyama en 1995. con Yoshio Harada, Yuka Ohnishi, Kazuko Yoshiyuki, Yoshiyuki Fukuda, Haruko Wanibuchi, Hideo Kanze, Haruko Wanibuchi, Takashi Matsuo.
14 de nov. de 2008 · Edmond, a man in his sixties whose wife has recently passed away, is told about a secret establishment where men can spend an entire night in bed alongside beautiful, sleeping young women, who stretch, roll over and dream, but never awaken. Bedazzled by their seductive yet innocent tenderness, but distressed about the reason for their deep sleep, he delves into the mystery of the house of ...
14 de nov. de 2008 · Edmond, a man in his sixties whose wife has recently passed away, is told about a secret establishment where men can spend an entire night in bed alongside beautiful, sleeping young women, who stretch, roll over and dream, but never awaken. Bedazzled by their seductive yet innocent tenderness, but distressed about the reason for their deep sleep, he delves into the mystery of the house of ...
Based on the beautifully strange novella by Yasunari Kawabata, writer-director-actor Vadim Glowna has crafted a beautiful, macabre thriller about loneliness, sex, eroticism and mortality.
Brief Synopsis. An exploration of the erotic obsession of an aging music critic for his daughter-in-law; his feelings are sparked after he visits a modern geisha joint named the House of Sleeping Beauties, where one can lie alongside--but never touch--a naked young woman in a drugged sleep.
We’re sleeping with these women too, and seeing in them what our particular experiences and expectations dictate. We’re all Eguchi, and the sleeping beauties, and the woman on the other side of the door profiting from the exchange. We’re all inhuman, and ugly, and cry for a good night’s sleep next to someone unwilling or unable to judge us.
