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20th Century Women. 2016. 1h 58m. 7,2 10 659 ocen. 7,1 28 ocen krytyków. Kiedy James wkracza w okres dojrzewania, jego matka prosi o pomoc bardziej nowoczesną Abbie i Julie. Zobacz pełny opis #91 ROKU 2016. Kobiety i XX wiek zobacz gdzie obejrzeć online. reżyseria. Mike Mills. scenariusz. Mike Mills.
Coming to UK & Irish Cinemas February 2017Written and directed by acclaimed writer and director Mike Mills (Beginners, Thumbsucker), and starring 4-time Acad...
Doppiatori italiani. Alessandra Korompay : Dorothea Fields. Veronica Puccio : Julie. Ilaria Latini : Abigail "Abbie" Porter. Mirko Cannella : Jamie Fields. Alessio Cigliano: William. Le donne della mia vita ( 20th Century Women) è un film del 2016 scritto e diretto da Mike Mills .
With 20th Century Women, acclaimed filmmaker Mike Mills (the Academy Award-winning Beginners) brings us a richly multilayered, funny, heart-stirring celebration of the complexities of women, family, time and the connections we search for our whole lives. It is a film that keeps redefining itself as it goes along, shifting with its characters as they navigate the pivotal summer of 1979.
19 de feb. de 2024 · Plot 20th Century Women. Dorothea Fields (Annette Bening) is een alleenstaande moeder die haar tienerzoon Jamie (Lucas Jade Zumann) alleen opvoedt in een groot landelijk huis in Santa Barbara. Ze deelt het huis met een rondtrekkende timmerman (Billy Cudrup) en een punk-kunstenares met een David Bowie-kapsel genaamd Abbie (Greta Gerwig).
Watch 20th Century Women | Netflix. Teenager Jamie learns about life and love from his feminist mom, his best friend and the tenants who share their fixer-upper in 1970s Santa Barbara.
23 de dic. de 2016 · The film is a portrait of a group of people at a specific moment in time, how they lived, what they fought about, what music they listened to, what they ate and what they cared about. Nothing is irrelevant with that approach. The most pleasurable aspect of "20th Century Women" (and it's pleasurable throughout) is that it allows itself to be messy.
