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Special Theme: Busby Berkeley. Busby Berkeley has become synonymous with lavish musical numbers choreographed to precision. As the creator of human kaleidoscopes, he singlehandedly developed his signature style in which movement, props, costumes, an elaborate set, a rotating stage and a single camera would come together to create a visual ...
Busby Berkeley. Director. en. Me convirtieron en un criminal (1939) Los hijos de la farándula (1939) Llévame a ver el partido (1949) Si no encuentras lo que buscas, inténtalo con el buscador global. Filmaffinity es una web de votación y recomendación personalizada de películas y series, una red social y diario del cine y las series con ...
Busby Berkeley, orig. William Berkeley Enos, (born Nov. 29, 1895, Los Angeles, Calif., U.S.—died March 14, 1976, Palm Springs, Calif.), U.S. film director and choreographer.The son of itinerant actors, he acted and danced in comedies from age five. After choreographing over 20 Broadway musicals, he was summoned to Hollywood to direct dance numbers for Whoopee (1930).
From Wikipedia, the free encyclopedia. Busby Berkeley (November 29, 1895 – March 14, 1976) was a highly influential Hollywood movie director and musical choreographer. Berkeley was famous for his elaborate musical production numbers that often involved complex geometric patterns. Berkeley's works used large numbers of showgirls and props as fantasy elements in kaleidoscopic on-screen ...
Busby Berkeley: Wowing 'em with excess. From the "By a Waterfall" number. Just before the big production number in "Footlight Parade," James Cagney says: "If this doesn’t get ‘em, nothin’ will." What follows is the famous "By a Waterfall" sequence in which Dick Powell dreams of dozens of beautiful mermaids sliding and swimming down a ...
17 de mar. de 2023 · As Major kept looking for another source for Berkeley’s voice, he found a copy of the out-of-print 1972 “The Busby Berkeley Book,” which Thomas and Terry wrote with the cooperation of Berkeley.
6 de abr. de 2015 · He gained immense popularity among the post-Depression audiences through a string of hits that included 42nd Street and Gold Diggers of 1933, and lots and lots of legs. Directed by Lloyd Bacon with dance numbers by Berkeley, 42nd Street follows the familiar tale of a young ingenue trying to make it on Broadway.
