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  1. 28 de nov. de 2017 · Provided to YouTube by The Orchard EnterprisesBanging the Door · Irmin Schmidt · KumoA Tribute To Public Image Limited℗ 2004 InvisibleReleased on: 2005-05-24...

  2. 29 de may. de 2020 · Nocturne (Live at the Huddersfield Contemporary Music Festival) by Irmin Schmidt, released 29 May 2020 1. Klavierstück II 2. Nocturne 3. Yonder Schmidt’s appearance at the renowned festival was his first solo piano concert in the UK to date and saw the artist perform the worldwide premiere of two unheard compositions – “Nocturne” and “Yonder” – as well as the UK premiere of ...

  3. 3 de jun. de 2021 · Clockwise from top right: Michael Karoli, Damo Suzuki, Irmin Schmidt, Jaki Liebezeit and Holger Czukay of Can, one of the most influential bands of the 20th century (Pictorial Press/Alamy)

  4. en.wikipedia.org › wiki › Can_(band)Can (band) - Wikipedia

    Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). They featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been hailed as pioneers of the German krautrock scene.

  5. ‘Why Not’ is taken from 'Electro Violet' - OUT NOW - the career spanning retrospective from legendary avant-garde composer Irmin Schmidt, out on Mute / Spoo...

  6. www.gormenghastopera.com › artists › irmin-biographyIrmin Schmidt – Gormenghast

    Between 1969 and 1978 he worked exclusively with CAN. After 1978 Irmin released several solo albums (Toy Planet, Musk At Dusk, Impossible Holidays) and a 3 CD box-set of his work as a film composer (Anthology – Soundtrack 1978 – 1993). He also wrote the Fantasy Opera, Gormenghast (premiered in 1998) and a ballet, La Fermosa (premiered in ...

  7. 7 de may. de 2021 · And often it was in a realm that neither worked or didn’t work, but was just something new.”. Festivals, admits Schmidt, were largely avoided. “Most of the time there were too many ...