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Hace 2 días · The Blue Devils beat Missouri, and the Crimson Tide bounced back from a game one loss to take the series over Tennessee in Knoxville. With the bracket set for the Women’s College World Series, let’s take a look at the teams moving on to Oklahoma City.
Squabblin'/Blue Devil Blues is the debut release by the artist Walter Page and His Original Blue Devils, based out of Oklahoma City, Oklahoma. The album was recorded during a state of turmoil in the band's history. Shortly afterwards, many members of the band were bought out to join Bennie Moten's orchestra. "Blue Devil Blues" is a blues/jazz standard with vocals by James Andrew Rushing. It is ...
The Oklahoma City Blue Devils was the premier American Southwest territory jazz band in the 1920s. Originally called Billy King's Road Show, it disbanded in Oklahoma City in 1925 where Walter Page renamed it. The name Blue Devils came from the name of a gang of fence cutters operating during the early days of the American West.. Several prominent jazz musicians were members, including Lester ...
Other articles where Walter Page’s Blue Devils is discussed: Walter Page: …in the 1920s before forming Walter Page’s Blue Devils (1925–31) in Oklahoma City, Oklahoma. A historically important early “territory band” (i.e., those in the South, Southwest, and Midwest), it toured widely in the Southwest, and though it recorded only once, in 1929 (“Blue Devil Blues”), it had a ...
*The Oklahoma City Blue Devils are celebrated on this date in 1923. They were the premier Black Southwest territory jazz band in the 1920s. Originally called Billy King's Road Show, the name Blue Devils came from the name of a gang of fence cutters operating during the early days of the American West.. The personnel included some of the finest musicians produced in two decades of Jazz in the ...
The sound of East Oklahoma City was inescapable in the 1920s. For a time, Second Street " an area dubbed "Deep Deuce" and "Deep Second"...
20 de abr. de 2009 · The Oklahoma City Blue Devils, the ne plus ultra of all the territory bands, still command legendary status among generations of jazz musicians, scholars, critics, and collectors. The band’s undiminished reputation is based, in part, on the paucity of recorded evidence (a sole 78) but also on the illustrious assemblage of players who passed through the group’s ranks between 1923 and 1933.
