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Set in the future, this film turns out a top performance from Brad Dourif, who plays a psycho-pathic weapons designer whose latest creation, the DEATH MACHINE is put into action when Brad resents a colleagues promotion, and engages maximum overdrive in the schizo department. The film maintains a good pace throughout.
Máquina letal (Death Machine) es una película dirigida por Stephen Norrington con Brad Dourif, Ely Pouget, William Hootkins, John Sharian .... Año: 1994. Título original: Death Machine. Sinopsis: En la fabrica de armas Chaank, que dispone de una alta tecnología, avanzada y futurista, ha sido nombrado un nuevo director. Duro, eficiente, inteligente... es Hayden Cale, una mujer que debe ...
Cutting Edge Action: Editor Paul Endacott talks about Death Machine (19m) Cyberpunk on a Budget: Costume Designer Stephanie Collier on Death Machine (18m) Looking Death in the Eye: Producer Ray Burdis talks about Death Machine (16m) Mechanical Mayhem: Co-Producer Stuart St Paul remembers Death Machine (21m)
Madame Lu has created three 'Death Machines', a trio of martial arts experts who have been injected with a special serum, turning them into mindless zombies, capable only of murder, at Lu's command. Tasked with eliminating her enemies, the Death Machines go on a blood soaked rampage, killing anyone in their path. After they massacre an entire dojo, leaving only one survivor, the Death Machines ...
11 de jul. de 2018 · Death Machines reframes these debates, arguing that the way we conceive of the ethics of contemporary warfare is itself imbued with a set of bio-technological rationalities that work as limits. The task for critical thought must therefore be to unpack, engage, and challenge these limits.
4 de jun. de 2021 · Death Therapy's latest album 'Melancholy Machines' is available everywhere 6.4.2021 — http://deaththerapy.ffm.to/machines__You close your eyesAnd pray the pa...
1 de mar. de 2019 · Elke Schwarz's Death machines is a fascinating, stimulating and, at times, frustrating book. Relying on a quasi-encyclopaedic breadth of research, Schwarz offers readers a fascinating reconsideration of the work of Hannah Arendt and of the transformation of the meaning of politics into the biopolitical management of life, which underpins ethical discourses of violence.
