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Conoce 8 curiosidades de John Lasseter, uno de los miembros más importantes de la historia de Pixar. ¿Sabías que fue despedido de Disney por ser "demasiado innovador"?
In January 2019, Skydance Animation hired former Pixar and Walt Disney Animation Studios CCO John Lasseter as Head of Animation, supplanting Damaschke. This decision was met with disapproval from some contributors to various Skydance projects, owing to prior allegations of sexual misconduct against Lasseter during his time with Pixar.
29 de nov. de 2017 · John Lasseter is one of the most powerful figures in animation—nothing short of a living legend. With the 60-year-old taking a leave under the cloud of admitted “missteps,” past and present ...
John Lasseter la al 34-lea anual Annie Awards, purtând o cravată Maşini.. John A. Lasseter (n.12 ianuarie 1957, Hollywood, California) este un animator american, director de creație al studiourilor Pixar.Mulți l-au supranumit „noul Walt Disney”.. Lasseter este membru fondator al companiei Pixar, unde supraveghează toate peliculele de animație produse de acest studio, în calitatea ...
25 de nov. de 1998 · A Bug's Life: Directed by John Lasseter, Andrew Stanton. With Dave Foley, Kevin Spacey, Julia Louis-Dreyfus, Hayden Panettiere. A misfit ant, looking for "warriors" to save his colony from greedy grasshoppers, recruits a group of bugs that turn out to be an inept circus troupe.
John Lasseter es un guionista y director nacido en el año 1957 en Estados Unidos conocido por Toy Story, Toy Story 2, Bichos, una aventura en miniatura, Cars, Toy Story 4, Cars 2, Luxo Jr. (C), Knick Knack (C), Tin Toy (C) y El sueño de Red (C)
- John Lasseter, hablando sobre las películas animadas digitales. John A. Lasseter (nacido el 12 de enero de 1957 en Hollywood, Los Ángeles, California) es un animador y director de cine estadounidense, y el Director Creativo de los estudios Pixar Animation Studios , Walt Disney Animation Studios y DisneyToon Animation Studios y ejerce un puesto como Asesor Creativo en Walt Disney Imagineering.
