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Branford Marsalis continues to thrill audiences around the world while racking up achievements across diverse musical platforms, even after four decades in the international spotlight. From his initial recognition as a young jazz lion, he has expanded his vision as an instrumentalist, composer, bandleader and educator, crossing stylistic boundaries while maintaining an unwavering creative ...
26 de nov. de 2020 · Music video by Wynton Marsalis performing Sing. (C) 2020 Jazz at Lincoln Center, Inc.http://vevo.ly/rugQTQ
At 18, Marsalis entered the Juilliard music school in New York and he also found employment playing in the pit orchestra for the Broadways show Sweeeney Todd and with the Brooklyn Philharmonia. In the summer of 1980 Marsalis accepted an offer from veteran jazz drummer Art Blakey to join his group, The Jazz Messengers, a band that served as school for promising young musicians.
The Blues Symphony is a seven-movement work that gives a symphonic identity to the form and feeling of the blues. It utilizes regional and stylistic particulars of the idiom’s language and form to convey the basic point of view of the blues as music: “Life hands you hard times.”. When you cry, holler, and shout to release those hard times ...
8 de feb. de 2019 · BRANFORD MARSALIS QUARTETBranford Marsalis – saxophoneJoey Calderazzo – pianoEric Revis – bassJustin Faulkner – drums-----Original version appears...
To celebrate his retirement in 2001, the entire Marsalis family performed, captured on the release The Marsalis Family: A Jazz Celebration. In 2008, Ellis was inducted into the Louisiana Music Hall of Fame. The eldest son, Branford, followed in his father's jazz footsteps, gaining initial acclaim through his work with Art Blakey 's Jazz ...
This superb sampler of Marsalis performances recorded between 1985 and 1999 contains eight originals and four jazz standards, from the New Orleans-flavored “Jig’s Jig” and the bluesy “Root Groove” to ballads like “I Got Lost in Her Arms” and “Where or When.” The music shifts into blistering up tempos on “Cherokee” and the burning “Black Codes” by Wynton’s remarkable ...
