Anuncios
relacionados con: 24 Hour Party PeopleLooking For 24 Hour Party People? We Have Almost Everything On eBay. But Did You Check eBay? Check Out 24 Hour Party People On eBay.
Find Where to Watch Your Favorite Movies and TV Shows Online. 24 Hour Party People the 2002 Movie, Trailers, Videos and more at Yidio.
Resultado de búsqueda
28 de sept. de 2017 · Taken from Happy Mondays "Greatest Hits", available on all platforms: https://happymondays.lnk.to/GreatestHitsSubscribe to the channel: https://londonrecords...
24 Hour Party People es una película dirigida por Michael Winterbottom con Steve Coogan, John Thomson. Sinopsis : Manchester, 4 de junio de 1976: Anthony Wilson, presentador de Granada TV, asiste ...
13 de feb. de 2002 · Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends ...
9 de ago. de 2002 · 24 Hour Party People is one heck of a film. Off-the-wall and truly odd, 24 Hour Party People is both a compelling biopic of Tony Wilson, the man behind Factory Records, a film about the bands who he worked with, and a film about the Manchester music scene. Told in a news broadcast fashion thanks to Wilson's background as a reporter, the film ...
22 de mar. de 2003 · 2002年製作／115分／R15+／イギリス 原題：24 Hour Party People 配給：ギャガ・コミュニケーションズ 劇場公開日：2003年3月22日 スタッフ・キャスト 監督
21 de jun. de 2007 · La película retrata gráficamente el baile y la música de Manchester desde finales de los 70 hasta principios de los 90 y documenta la vitalidad que convirtió...
Robby Müller: Director of Photography Michael Winterbottom Steve Coogan, Paddy Considine, Sean Harris, Lennie James, Shirley Henderson Michael Winterbottom’s film is one of Müller's last films as a director of photography. Again Müller shot this film with digital cameras and yet again with a shaky hand-held esthetic which adds to the film’s documentary feel and plunges the viewer into ...
