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  1. Hace 4 días · Five years after it first clattered onto the Glyndebourne stage, André Barbe and Renaud Doucet’s visually exuberant Die Zauberflöte – featuring everything from dancing carcasses to a monster made out of blue-and-white crockery – continues to dazzle as much as it entertains. Yet despite being a cornucopia of invention, it’s not always ...

  2. Hace 4 días · But the end product is magical – and a fitting addition to the Festival’s long tradition of outstanding Mozart productions. Pamina, the daughter of the Queen of the Night, has been abducted by the wizard Sarastro. The queen recruits Prince Tamino to rescue her and provides him with a magic flute and a companion, Papageno the bird-catcher.

  3. Hace 4 días · It’s almost as if Barbe and Doucet don’t trust the magic of Mozart’s music. Musically, the production feels out of sorts on press night, with uncharacteristic lapses of ensemble from the ...

  4. Hace 4 días · The Met made history in December 2006 when it presented its first Live in HD transmission to movie theaters worldwide —the abridged English-language version of Mozart’s The Magic Flute. This holiday season, the opera returns to select movie theaters in a special encore presentation. Check your local listings for dates and times. Cast Sheet

  5. Hace 4 días · Paul Appleby’s Tamino sings with warmth and grace, while Alina Wunderlin’s Queen of the Night is perfection incarnate, and Lauren Snouffer makes the most exquisitely sung – and expressively ...

  6. Hace 5 días · Hot on the heels of the new Carmen opening this year’s Glyndebourne Festival comes a revival of Barbe & Doucet’s 2019 production of Die Zauberflöte.Despite a seemingly obvious fit of the opera with their track record for colourful, fairy-tale productions, the Canadian partnership had apparently turned down this opera three times previously, claiming they needed to find a way to embrace ...

  7. Hace 1 día · The Magic Flute. Posted on 23rd May 2024 by VoxCarnyx. Perth Theatre. Superficially, Die Zauberflote looked an odd choice for the Scots Opera Project. Although purists will always want to hear operas in their original language, the convoluted masonic nonsense of Mozart’s The Magic Flute makes singing it in English a sensible step to some clarity.