Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Martin Kemp is an hon. fellow at Trinity College, University of Oxford. Martin reasearches imagery in art and science, espceially Leonardo da Vinci

  2. But behind these diverging streams of intention runs a turbulent river of shared intuitions about the order and disorder of things. Martin Kemp is professor of the history of art at the University of Oxford, and co-director of Wallace Kemp Artakt. 1. Kemp, M. Nature 413, 778 (2001). 2.

  3. 1 de abr. de 2016 · Martin Kemp. Turner, Apr 1, 2016 - Art - 264 pages. Habrá quien ni siquiera pestañee ante la Gioconda pero se sienta profundamente conmovido ante una caja de jabón Brillo, al menos en el debido contexto. Solo con mirarla, una pintura de Rafael, de Rembrandt o de Rubens puede interpelarnos directamente, pero también es posible que no nos ...

  4. Martin Kemp, né le 5 mars 1938 à Windsor ( Berkshire ), est un historien de l'art britannique, professeur émérite à l' université d'Oxford, spécialiste de Léonard de Vinci. Ses ouvrages et ses articles sont traduits dans plusieurs langues.

  5. artuk.org › discover › profileMartin Kemp | Art UK

    Martin Kemp is an art historian, curator and author. He is an Emeritus Research Professor in the History of Art at Oxford University and has written and broadcasted extensively on imagery in art and science from the Renaissance to the present day. Leonardo da Vinci has been the subject of a number of his books, including Leonardo (Oxford ...

  6. March 05, 1942. Genre. Arts & Photography, History. edit data. Martin Kemp is professor of the History of Art at Oxford University, and the author of many books including The Science of Art, Visualizations and the recent Leonardo. He is also a frequent contributor to Nature, the international science journal, where he writes on science and art.

  7. Hardcover. £13.63 9 Used from £10.84. Martin Kemp is the author of the widely acclaimed weekly pages "Art and Science" and "Science and Image" which have been appearing in Nature since 1997. In this visually stunning book, he brings together these fascinating articles discussing the interactions between the visual arts and science.