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Hirokazu Kore-eda (born 6 June 1962) is a Japanese film director, producer, screenwriter, and editor. He began his career in television and has since directed more than a dozen feature films, including Nobody Knows (2004), Still Walking (2008), and After the Storm (2016).
At just 14 years old, Yuya Yadira became the youngest person to win Best Actor in Cannes for this heartbreaking masterpiece from Hirokazu Koreeda. Unsentimental, but told with boundless empathy and compassion, Nobody Knows lowers its gaze for an unflinching, child’s-eye view of neglect and survival.
Hirokazu Koreeda (jap. ... Sein 2004 veröffentlichter Film Nobody Knows handelt von vier Kindern, die von ihrer Mutter plötzlich verlassen werden und auf ihre Rückkehr wartend sich selbst versorgen müssen. Hauptdarsteller Yūya Yagira erhielt in Cannes für seine Rolle des Akira den Darstellerpreis, ...
Drama. 141. CAUTION. At just 14 years old, Yuya Yadira became the youngest person to win Best Actor in Cannes for this heartbreaking masterpiece from Hirokazu Koreeda. Unsentimental, but told with boundless empathy and compassion, Nobody Knows lowers its gaze for an unflinching, child’s-eye view of neglect and survival. Trailer.
Kore-eda Hirokazu (tiếng Nhật: 是枝 裕和, sinh ngày 6 tháng 6 năm 1962) là một nam nhà làm phim người Nhật Bản. Ông khởi đầu sự nghiệp từ truyền hình và đã từng đạo diễn nhiều phim điện ảnh như Nobody Knows (2004), Still Walking (2008) và After the Storm (2016). Ông đã giành Giải của Ban Giám khảo tại Liên hoan phim Cannes ...
Nobody Knows (Nadie sabe), de Hirokazu Koreeda, 2004 Siempre he creído que el cine debe ser mucho más que un mero entretenimiento. Para mí, el cine es el portal que comunica emociones a distintos niveles, expresa ideas, refuta acciones, lanza críticas, es un espejo de la realidad, o bien de los deseos.
At just 14 years old, Yuya Yadira became the youngest person to win Best Actor in Cannes for this heartbreaking masterpiece from Hirokazu Koreeda. Unsentimental, but told with boundless empathy and compassion, Nobody Knows lowers its gaze for an unflinching, child’s-eye view of neglect and survival.
