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Italian filmmaker Federico Fellini (1920-1993) is one of the most renowned figures in world cinema. Director of a long list of critically acclaimed motion pictures, including La strada, La dolce vita, 8½, and Amarcord, Fellini's success helped strengthen the international prestige of Italian cinema from the 1950s onward.
21 de mar. de 2010 · An early working title for 8 1/2 was "La Bella Confusione" (The Beautiful Confusion), and Federico Fellini's masterpiece is exactly that: A grand epic of one man's artistic crisis, a shimmering dream, a circus, and a magic act. The Criterion Collection is proud to present the 1963 Academy Award winner for Best Foreign-Language Film.
Directed by Federico Fellini • 1963 • Italy Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini's 8 1/2 (Otto e mezzo) turns one man's artistic crisis into a grand epic of the cinema. An early working title for 8 1/2 was The Beautiful Confusion, and Fellini's ...
18 de feb. de 2020 · Why our art critic can’t get enough of Fellini’s ‘8 1/2,’ and the dream scene that unlocks the secret to all human creativity Marcello Mastroianni as Guido Anselmi in Federico Fellini’s ...
7 de may. de 1993 · Thirty years after Fellini made “8 1/2,” films like this have grown rare. Audiences demand that their movies, like fast food, be served up hot and now. The self-indulgence and utter self-absorption of Fellini, two of the film’s charms, would be vetoed by modern financial backers. They’d demand a more commercial genre piece.
Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini’s 8½ turns one man’s artistic crisis into a grand epic of the cinema. An early working title for 8½ was The Beautiful Confusion, and Fellini’s masterpiece is exactly that: a shimmering dream, a circus, and ...
16 de mar. de 2015 · Brian Eggert's essay about 8 1/2 provides an in-depth critical analysis, exploring its production, history, and themes. Federico Fellini’s 8 ½ opens with a dream sequence that embodies the entire picture as few first scenes have.
