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The Pretty Things and TOP songs that are popular on radio stations around the world now. This site uses cookies. By continuing to use this ... The Pretty Things – rock blues-rock psychedelic alternative For the last 14 days: 113 tracks 154 stations 36 countries The Pretty ...
10 de feb. de 2024 · Formed in London in 1963, The Pretty Things were part of the original wave of British R&B bands alongside their friends and contemporaries The Rolling Stones. As the 60s and 70s progressed, they delivered a string of classic albums – most notably 1968’s landmark concept album SF Sorrow - without ever getting the massive breakthrough the ...
The Pretty Things was an English rock band formed in September 1963 in Sidcup, Kent, with their name from Willie Dixon's 1955 song "Pretty Thing". They pioneered a raw approach to rhythm and blues (and later, psychedelia) that influenced a number of key bands of the 1960s British 'invasion', particularly The Rolling Stones, and David Bowie whose first hero was Phil May (born 1944; died 2020).
The Pretty Things also appears in this compilation. Tracks of Disc 1. 1. 365 Rolling Stones (One For Everyday of the Year) 2. Needle In the Camel's Eye. 3. Free & Freaky. 4. You Don't Look So Good.
22 de feb. de 2020 · The Pretty Things SF Sorrow, Fontana 1968. S.F. Sorrow (1968) The band’s unquestioned masterpiece and one of rock music’s first concept albums, S.F. Sorrow was released at a point where rock ‘n’ roll was experiencing “peak psychedelia,” and the PTs obviously rose to the occasion. Based on a short story by Phil May, the album is ...
18 songs • 49 minutes The Pretty Things is the self-titled debut album by the English rock band Pretty Things. Released in 1965 in alternate track listings in the United Kingdom and United States, the album demonstrated the band's raw, loud sound, influenced by American rock and roll musician Bo Diddley.
The Pretty Things were one of the toughest and most celebrated artists to rise from the British Invasion era, and among the very best British R&B bands of the '60s. Taking their name from a Bo Diddley song, they were intentionally ugly: their sound was brutish, their hair longer than any of their contemporaries, their look unkempt.
