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28 de ene. de 1991 · The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in Paris was presented for the first time on the closing night of the New York Film Festival, October 14, 1972: that date should become a landmark in movie ...
13 de jun. de 2019 · Aquí nos gustaría mostrarte una descripción, pero el sitio web que estás mirando no lo permite.
3 de nov. de 2011 · Pauline Kael was a film critic for The New Yorker from 1967 to 1991, as well as the author of several books, including I Lost It at the Movies and For Keeps: 30 Years at the Movies. To quote the ...
13 de mar. de 1994 · Pauline Kael on her career as a New Yorker film critic, her relationship to her readers, and the efforts she made to preserve her writing’s signature, conversational voice.
7 de jun. de 2019 · In July of 1984, six months after I’d become the third-string film critic at the Village Voice, Pauline Kael introduced herself in a movie line and said nice things about my work, and within a ...
More Pauline Kael in the July 2019 issue of Sight & Sound Mission critical. On 25 July 1982, at London’s National Film Theatre, Pauline Kael invited questions from the audience. In an edited selection from a previously unpublished transcript of the event, she explains why good films make her a better writer. → Buy a print issue
4 de feb. de 2023 · A portrait of the work and life of controversial film critic Pauline Kael, and her battle to achieve success and influence in the 20th century movie business...
