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Susanna Moore, mit vier Geschwistern in Hawaii aufgewachsen, war u. a. als Schauspielerin und Model tätig, bevor sie zu schreiben begann. 1982 wurde ihr erster Roman veröffentlicht. Bekannt wurde sie insbesondere mit dem Thriller Aufschneider über einen Mord in New York City, der 2003 verfilmt wurde. 2003 erschien mit I Myself Have Seen It ...
1 de ene. de 1995 · Susanna Moore. 29 books163 followers. Susanna Moore is the author of the novels One Last Look, In the Cut, The Whiteness of Bones, Sleeping Beauties, and My Old Sweetheart, which won the Ernest Hemingway Foundation/PEN Award for First Fiction, and the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters.
14 de oct. de 2019 · Susanna Moore. Susanna Moore is the author of the novels The Life of Objects, The Big Girls, One Last Look, In the Cut, Sleeping Beauties, The Whiteness of Bones and My Old Sweetheart, and two books of nonfiction, Light Years: A Girlhood in Hawai’i and I Myself Have Seen It: The Myth of Hawai’i. She lives in New York City.
25 de ene. de 2020 · I discovered Susanna Moore’s 1995 book In The Cut through reading an interview with Emma Paterson, the literary agent who represents so many women writers who are radically transforming the cultural landscape, like Emma Dabiri (Don’t Touch My Hair), Funmi Fetto (Palette: The Must-Have Beauty Bible for Women of Colour) and Shon Faye (The Transgender Issue).
by. Edith Wharton, Anita Shreve (Foreword), Susanna Moore (Afterword) 3.44 avg rating — 127,824 ratings — published 1911 — 2815 editions. Want to Read. saving…. Want to Read. Currently Reading.
1 de ene. de 1989 · With her beautiful and self-destructive younger sister Claire in tow, Mamie must learn to make her way in a world of money, power, sex, and drugs. Moore’s sharp and witty book captures an unforgettable time and place—the Manhattan of the early 80s— and the powerful feelings engendered there. 288 pages, Paperback.
About In the Cut. Frannie Thorstin is a divorced English professor, living in a two room New York apartment. She spends much of her time alone, working on a book about dialects and idiomatic language. One evening at a bar, Frannie stumbles upon a man and a woman engaged in a sexual act. A week later a detective shows up at her door.
