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Max Ernst: A Retrospective. A founding member of the Surrealist group in Paris, German-born Max Ernst (1891–1976) was one of the most inventive artists of the twentieth century. His paintings, steeped in Freudian metaphors, private mythology, and childhood memories, are regarded today as icons Ernst's Other Ernst's Particularly The Foreboding.
30 de jul. de 2019 · Max Ernst, naturalmente. «La belleza será convulsa o no será» André Breton, Nadja, 1928. En la Sala Noble del museo se expone actualmente la serie Historia natural ( Histoire naturelle ), formada por treinta y cuatro dibujos de Max Ernst reproducidos en fototipia y publicada en forma de carpeta en 1926 por la galerista Jeanne Bucher. A la ...
Max Ernst. (Brühl, Alemania, 1891 - París, 1976) Pintor y escultor alemán. Formó parte del movimiento dadaísta de Colonia, aunque desde 1919 ya realizaba asociaciones en sus obras que pueden considerarse surrealistas. Ernst practicó diversas y originales técnicas pictóricas, siempre dentro de la estética de lo absurdo y dictadas por el ...
Ernst was a major figure in the Dada group, an informal movement that embraced irrationality and critiqued cultural conformity as a reaction against the bourgeois capitalism and nationalism that, Dadaists felt, had led to World War I. Ernst slyly commented on gender norms in this work, which includes a nonsense inscription in German and French ...
Brühl, 1891-Paris, 1976. The life of the German artist Max Ernst was connected with the development of Surrealism and, following the outbreak of the Second World War, the dissemination of the European avant-garde in the United States. A self-taught artist, Ernst studied art, philosophy and psychiatry at the University of Bonn.
Max Ernst, född 2 april 1891 i Brühl, död 1 april 1976 i Paris, var en tysk målare, grafiker och skulptör inom dadaism och surrealism. Han var gift med Dorothea Tanning, en amerikansk surrealistisk bildkonstnär och skulptör, från 1946 och fram till sin död.
30 de dic. de 2014 · Max Ernst considers his sole virtue to be that he has managed not to find himself.” In his embrace of chaos, absurdity, irrationalism, and any composition that could defy interpretation, it’s no surprise that his enigmatic oeuvre has made him one of the best-known, yet least understood, artists of the 20th century.
