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  1. genius.com › Big-maybelle-whole-lotta-shakin-goin-on-lyricsBig Maybelle – Whole Lotta Shakin' Goin' On Lyrics - Genius

    Whole Lotta Shakin' Goin' On Lyrics: Twenty-one drums and an old bass horn / An' somebody beatin' on a ding-dong / Come on over, baby / Whole lotta shakin' goin' on / Come on over, baby / Baby ...

  2. music.apple.com › ca › albumTop 55 Classics - The Very Best of Big Maybelle - Apple Music

    29 de may. de 2015 · Listen to Top 55 Classics - The Very Best of Big Maybelle by Big Maybelle on Apple Music. 2015. 55 Songs. Duration: 2 hours, 34 minutes. Album · 2015 · 55 Songs. Home; Browse; Radio; Search; Open in Music. Top 55 Classics - The Very Best of Big Maybelle. Big Maybelle. JAZZ · 2015 .

  3. music.youtube.com › channel › UCEKMG9qVjbOtT4Lw_r3b-mwBig Maybelle - YouTube Music

    Mabel Louise Smith, known professionally as Big Maybelle, was an American R&B singer. Her 1956 hit single "Candy" received the Grammy Hall of Fame Award in 1999.

  4. bluesring.digitalfruits.com › artist › BigMaybelleビッグ・メイベル Big Maybelle / ラジカル・ビスケット

    ビッグ・メイベル Big Maybelle. 1925年にテネシー州ジャクスンで生まれ、1972年1月23日にオハイオ州クリーヴランドで死去しました。. 本名はメイベル・ルイーズ・スミス ( Maybelle Louise Smith )です。. 1944年にデッカにクリスティン・チャットマン・バンドで初録音 ...

  5. www.youtube.com › watchI've Got A Feelin' - YouTube

    8 de nov. de 2014 · Provided to YouTube by Okeh/Legacy/EpicI've Got A Feelin' · Big MaybelleThe Complete Okeh Sessions 1952-1955℗ Originally Released 1954 Sony Music Entertainme...

  6. de.wikipedia.org › wiki › Big_MaybelleBig Maybelle – Wikipedia

    Big Maybelle (eigentlich Maybelle Louise Smith; * 1. Mai 1924 in Jackson, Tennessee; † 23. Januar 1972 in Cleveland, Ohio) war eine vor allem in den 1950er Jahren populäre US-amerikanische R&B-Sängerin. Leben und Wirken Big Maybelle – Whole Lotta Shakin' Goin' On. Big Maybelle sang ...

  7. www.spontaneouslunacy.net › artists-big-maybelleBig Maybelle – Spontaneous Lunacy

    BIG MAYBELLE DISCOGRAPHY (Reviews To Date On Spontaneous Lunacy): SAD AND DISAPPOINTED JILL (King 4207; February, 1948) Very solid vocally already, but the backing arrangement is too conflicted, as if they’re unsure of what type of song and artist they’re dealing with resulting in a mixed bag effort all around. (5)