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Real Name: Marion Walter Jacobs. Profile: Blues harmonica player and composer. His innovation on the harmonica has had impact on succeeding generations. Born & raised in Louisiana, Little Walter had quit school by the age of 12, & was supporting himself with odd jobs & busking around southern cities in Louisiana, Arkansas, Tennessee, & Missouri.
27 de sept. de 2022 · At the time of his death, 37-year-old blues performer Little Walter, was famous for his innovation in the music industry (via OffBeat).Born in Rapides, Louisiana as Marion Walter Jacobs in 1930, Little Walter left school at the age of 12 and started traveling around the United States playing his harmonica (via American Blues Scene).
25 de nov. de 2022 · Wikimedia Commons. Little Walter. C onsidered by many to be the greatest blues harmonica player ever, Marion “Little Walter” Jacobs rose from obscurity in Marksville to international acclaim in the blues scene of Chicago. During the first half of the 1950s he became one of the key architects of the electrified Chicago blues style, an ensemble, collaborative, urban approach that became the ...
15 de jul. de 2009 · Walter Jacobs, aka "Little Walter," was a harmonica virtuoso whose life was consumed by blues music. A new five-disc Hip-O Select re-release of Walter's complete recordings for the record label ...
8 de abr. de 2023 · Little Walter a déménagé à Chicago au début des années 1940, où il a commencé à se produire dans les clubs de blues locaux. Il a rapidement attiré l’attention pour sa virtuosité à l’harmonica et sa technique innovante. En 1952, Little Walter a enregistré «Juke», qui est devenu son premier grand succès et est resté en tête ...
10 de mar. de 2008 · A brief film about blues harmonica icon Little Walter Jacobs, which was shown as part of his induction into the Rock & Roll Hall of Fame on March 10, 2008.Fo...
31 de mar. de 2021 · Walter had spent time with Rice Miller in the not too distant past and there are elements of Rice Miller’s playing that Little Walter quite clearly used. However, Walter’s playing went further than Rice Miller’s in terms of melodic ideas and melodic range, composition and the now legendary use of amplification.
