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It’s all in service to Tess’s character, too, even the opening titles touch on how much she loved playing that role. She’s seriously one of the greats. If you ever need a case study on how quickly modern editing techniques developed, the 1914 and 1922 adaptations of Tess of the Storm Country are decent examples.…
Tess of the Storm Country is a film directed by John S. Robertson with Mary Pickford, Lloyd Hughes, Gloria Hope, David Torrence .... Year: 1922. Original title: Tess of the Storm Country. Synopsis: Wealthy Elias Graves builds his home on the top of a hill, where a group of squatters have taken up residence at the bottom. Many of the men in the squatters' village have their eyes on young Tess ...
TESS OF THE STORM COUNTRY. Directed by. ... 1922. Drama. 117. Synopsis. Wealthy Elias Graves builds his home on the top of a hill, where a group of squatters have taken up residence at the bottom. ... Many of the men in the squatters’ village have their eyes on young Tess, ...
Tess of the Storm Country. By Eileen Whitfield. Excerpt from “Pickford: The Woman Who Made Hollywood,” published by University Press of Kentucky, 1997. Reprinted by permission of the author. Mary Pickford was hardly the only actor in the 1910s to inspire a following. In popularity polls she ranked sometimes above, sometimes below such ...
Moving Picture World says "the photography is Porterian," and modern sources list Porter as the cameraman as well as the director. Pickford re-made Tess of the Storm Country for her own company in 1922 with John S. Robertson directing (see AFI Catalog of Feature Films, 1921-30; F2.5577).This was her only remake. White's novel was filmed again by Fox in 1932, with Janet Gaynor and Charles ...
New York opening: 19 Nov 1932. Production Company. Fox Film Corp. Distribution Company. Fox Film Corp. Country. United States. Screenplay Information. Based on the novel Tess of the Storm Country by Grace Miller White (New York, 1909) and her play of the same name (production undetermined).
Based on the book by Grace Miller White, Tess of the Storm Country was such a hit for Mary Pickford at Famous Players in 1914 that she reprised the role—in the only remake of her career—for a 1922 version at United Artists. The success of both silent pictures guaranteed a sound adaptation, which Fox conceived as another vehicle for Gaynor and Farrell, their eleventh of twelve screen teamings.
