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  1. 28 de nov. de 2002 · Karel Reisz was born at Ostrava, Czechoslovakia, on July 21 1926, the son of a Jewish lawyer. His older brother Paul had been educated in England at Leighton Park, Reading.

  2. Karel Reisz began his career as a documentary filmmaker (Momma Don’t Allow, 1956, with Tony Richardson) and producer (Every Day Except Christmas, 1957; We Are the Lambeth Boys, 1959), directing films vital to the British movement known as “Free Cinema.”It was a socially committed cinema focusing on the problems of the working class. The practictioners of “Free Cinema” believed that ...

  3. Other articles where Karel Reisz is discussed: history of film: Great Britain: …Social Realist, movement signaled by Reisz’s Saturday Night and Sunday Morning (1960), the first British postwar feature with a working-class protagonist and proletarian themes. Stylistically influenced by the New Wave, with which it was concurrent, the Social Realist film was generally shot in black and white ...

  4. 27 de nov. de 2002 · Karel Reisz, the Czech-born director who became a pioneer of the Free Cinema movement in 50s and 60s Britain, has died in London aged 76. Reisz made his reputation with his revolutionary portrait ...

  5. 11 de sept. de 2012 · Karel Reisz. Film-maker Stephen Frears discusses the life of his mentor, Czech-born director Karel Reisz, with the help of critic John Lahr. Presented by Matthew Parris.

  6. Czech-born refugee Karel Reisz (1926-2002) is widely regarded as one of the seminal figures in post-war British cinema. Along with Lindsay Anderson and Tony Richardson, Reisz was a founder member of the independent Free Cinema 'movement' which attacked the parochial middle-class values of home-grown studio product with a vigorous commitment to everyday working-class subject matter and a ...

  7. Karel Reisz, "The Gambler". minute biography of Isadora Duncan, starring Vanessa Redgrave, and its original version inspired praise but not much business. Its American distributor chopped whole scenes and sections out of it, released it as "Loves of Isadora," saw it do even worse business, and for a time made Reisz almost unemployable.