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6 de may. de 2022 · Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. Recent theory emphasizes the subjectivity of the historian and the ways in which any interpretation betrays the presence of an interpreter.
No one has been more influential in the contemporary practice of art history than Erwin Panofsky, yet many of his early seminal papers remain virtually unknown to art historians. As a result, Michael Ann Holly maintains, art historians today do not...
The rest of this essay will contribute to the subversion of that distinction in the history of art, with the awareness that this would no longer be a timely issue in ...
What's Research in Art History, Anyway? There is something about the actual material presence of objects in our world, whether ancient, merely old, or insistently contemporary that impels art historians to press on until something new or previously unseen about them is 'discovered.' Is this what we call research? Can we distinguish between the narratives of research and interpretation, or are ...
378 Michael Ann Holly Past Looking We are looking at a picture in which the painter is in turn looking out at us. A mere confrontation, eyes catching one another's glance, direct looks superimposing themselves upon one another as they cross. . . . a matter of pure reciprocity . . . the painter's
2 de jul. de 1985 · Panofsky and the Foundations of Art History. Paperback – July 2, 1985. No one has been more influential in the contemporary practice of art history than Erwin Panofsky, yet many of his early seminal papers remain virtually unknown to art historians. As a result, Michael Ann Holly maintains, art historians today do not have access to the full ...
