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31 de may. de 2017 · Jude Rogers Published 8:02am 31 May 2017. One Californian morning on the edge of the Pacific Ocean, synthesiser supremo Suzanne Ciani is being bothered by noise. "I’m sorry about the chaos, I have a stonecutter here," she says brightly down the phone, her tone one a perky primary school teacher. "It sounds like a war zone, but I have to have ...
22 de feb. de 2016 · Seven Waves by Suzanne Ciani, released 22 February 2016 1. The First Wave: Birth Of Venus 2. The Second Wave: Sirens 3. The Third Wave: Love In The Waves 4. The Fourth Wave: Wind In The Sea 5. The Fifth Wave: Water Lullaby 6. The Sixth Wave: Deep In The Sea 7. The Seventh Wave: Sailing Away Following Finders Keepers’ first time compendium of Suzanne Ciani’s vintage electronic private music ...
9 de jul. de 2012 · This week: Suzanne Ciani. Go here for previous Original Creators. Whether recording Coca-Cola jingles, music for pinball machines, or pioneering avant-garde electronic albums, Suzanne Ciani’s ...
Electronic composer and musician Suzanne Ciani created the sound effects and voiced the antagonist for the 1980 pinball ma-Though often overlooked when assessing the history of electronic games, her compositional approach provided Xenon with much of its identity, and thus, its contemporary status as a classic and historically important game.
11 de may. de 2019 · Here's a 1980 Bally Xenon pinball machine in action. This game was designed by Greg Kmiec with art by the renowned pinball artist Paul Faris. This was Bally'...
Electronic composer and musician Suzanne Ciani created the sound effects and voiced the antagonist for the 1980 pinball ma-chine Xenon, the first talking pinball table by Bally Entertainment. Though often overlooked when assessing the history of electronic games, her compositional approach provided Xenon with much of
7 de jun. de 2019 · Flowers Of Evil by Suzanne Ciani, released 07 June 2019 1. Flowers Of Evil 2. Glass Houses 3. Token Spokes Part One 4. Token Spokes Part Two As a genuine vanguard of electronic music composition at the forefront of the modular synthesiser revolution in the late 1960s, Suzanne Ciani’s forward-thinking approach to new music would rarely look to the past for inspiration, which makes this ...
