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  1. LOUIS MALLE. During his career Louis Malle (30 October 1932 – 23 November 1995) became one of France’s most renowned directors both at home and internationally. He was known for the variety and breadth of his work as a feature-film-maker and a documentarist, as well as its frequently controversial subject matter.

  2. Few directors have portrayed the agonies and epiphanies of growing up as poetically—and controversially—as Louis Malle. Laced with autobiographical details, Murmur of the Heart; Lacombe, Lucien; and Au revoir les enfants tell stories of youth, set against the tumult of World War II and postwar France. Tragic, amusing, and poignant, these three films are more than just coming-of-age stories.

  3. Louis Malle (Thumeries, 1932. október 30. – Beverly Hills, 1995. november 23.) francia filmrendező, forgatókönyvíró, operatőr, a francia újhullám egyik jeles alakja. Pályafutása. Hét testvér között a harmadikként született. Édesanyja Béghin cukorgyáros leánya volt, édesapja egy gyárat igazgatott. Szigorú ...

  4. Louis Malle presents his meditative investigation of the inner workings of a French automotive plant. This, Vive le Tour, and Place de la République, Malle’s three French-set documentaries, reveal, in an eclectic array of ways, the director’s eternal fascination with, and respect for, the everyday lives of everyday people.

  5. Louis Malle’s critically acclaimed _Murmur of the Heart_ gracefully combines elements of comedy, drama, and autobiography in a candid portrait of a precocious adolescent boy’s sexual maturation. Both shocking and deeply poignant, this is one of the finest coming-of-age films ever made.

  6. 23 de nov. de 1995 · Louis Malle décède le 23 novembre 1995 à Los Angeles. Ses premiers pas à l'écran. Le Port du désir. Date de sortie inconnue Le Monde du silence. 15 février 1956. Les Amants. 5 novembre 1958.

  7. 23 de nov. de 1995 · Carrière au cinéma. Cinéaste intimiste et révolté, Louis Malle a échappé, dès son premier film, Ascenseur pour l'échafaud (1957) aux distinctions entre Nouvelle Vague et cinéma moderne. Pourtant, Les Amants (1958) qui, avec Jeanne Moreau et Jean-Jacques Bory, dresse le portrait d'une bourgeoise acculée à l'adultère par sa passion ...