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Trumpet, Piccolo Trumpet, Flugelhorn – Mark Isham; Notes. Recorded March 1986 at Audio International, London Mixed At Rainbow Studio, Oslo An ECM Production ℗ 1987 ECM Records GmbH ... 1986 David Torn on Everyman Band, Don Cherry, Cloud About Mercury, King Crimson. 28:26; David Torn's Cloud About Mercury - Frankfurt, Germany, 1987-02-07. 1: ...
4 de mar. de 2019 · Cloud About Mercury, an Album by David Torn. Released in February 1987 on ECM (catalog no. ECM 1322 / 831 108-1; Vinyl LP). Genres: Jazz Fusion, ECM Style Jazz. Rated #171 in the best albums of 1987. Featured peformers: David Torn (electric guitar, acoustic guitar, writer), Mark Isham (trumpet, piccolo trumpet, flugelhorn), Tony Levin (Chapman Stick, bass synthesizer), Bill Bruford (drums ...
My first encounter with David Torn was also an ECM album - Cloud About Mercury. I actually found it used sometime shortly after it's release in 1986. I didn't know who David Torn was but was well aware of his fellow bandmates - Mark Isham, Tony Levin, Bill Bruford. He might be better know by some as a gueest musician.
A New York native, Torn was a member of the Everyman Band, whose two '80s recordings for ECM are foundational documents in his transition from jazz fusion to avant and abstract jazz-rock. Torn's 1987 ECM date, Cloud About Mercury, with Bill Bruford, Tony Levin, and Mark Isham, is universally considered a classic of progressive music.
Castalia (1988) is an album by the American trumpeter/synthesist Mark Isham.The title refers to the mythical spring Castalia on Mount Parnassus in Greece.. This album features a larger ensemble of musicians than Isham's previous albums. Artists who performed on this album include guitarists David Torn and Peter Maunu, bassist Patrick O'Hearn, drummer Terry Bozzio and vocalist Gayle Moran.
“Everything is in a state of transition,” David Torn explained. “Mercury is an element that captures the essence of change.” The changing soundscape of improvisation in the mid-1980s informs the textures and colours of Cloud About Mercury, whose sonorities are closely related to progressive rock (the rhythm section is half of one incarnation of King Crimson) and to the experimental end ...
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