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10 de mar. de 2022 · Nick Laird. Nick Laird’s fifth book of poems, Up Late, is published in June in the UK and will appear in the US this fall. He is the Seamus Heaney Professor of Poetry at Queen’s University, Belfast. (June 2023) Talking to the Sun in Washington Square. June 8, 2023 issue
16 de nov. de 2023 · Poet Nick Laird grapples with big topics: Grief, God and covid-19 Laird is an enlightened sufferer, if an uncertain believer. This combination undergirds the ruminative and daring poems of his new ...
8 de jul. de 2023 · Nick Laird: 'I was lucky enough to have parents who didn’t read my books, or if they did, never mentioned them' Martin Doyle. Sat Jul 8 2023 - 05:00.
Nick Laird was born in 1975 in Co. Tyrone, Northern Ireland, and studied English at the University of Cambridge, where he won the Quiller-Couch Award for creative writing. His debut collection, To a Fault (Faber, 2005), won the Aldeburgh Poetry Prize; his second, On Purpose (Faber, 2007), the Somerset Maugham Award and the Geoffrey Faber Memorial Prize.
Nick Laird was born in Northern Ireland and studied at Cambridge University. He has published two novels, Utterly Monkey and Glover’s Mistake, and three collections of poetry, To a Fault, On Purpose, and Go Giants.He is the recipient of many awards for his fiction and poetry, including the Betty Trask Prize, the Rooney Prize for Irish Literature, the Geoffrey Faber Memorial Prize, and the ...
Nick Laird is a lawyer, poet, novelist and critic from Northern Ireland. His essays, reviews and poems have appeared in various journals in Britain and America, including The London Review of Books, The Times Literary Supplement, The Guardian, The Times, The Daily Telegraph, The Believer, New Writing 11 and New Writing 13.. His debut collection of poetry, To A Fault, and his first novel ...
18 de jul. de 2023 · A few pages before the titular poem of Up Late, Nick Laird describes a haircut in a bathroom mirror, and finds a possible art form reflected back: "something like a poem / glances back / from the deep inside." The lines are broadly representative of the image-repertoire and diction of Laird’s latest work: glassiness, fish and questions of depth perception loom large.
