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modifier - modifier le code - modifier Wikidata Lise à l'ombrelle est un tableau d' Auguste Renoir daté de 1867. Sujet [modifier | modifier le code] Le tableau est un portrait en pied de Lise Tréhot (1848-1922), maîtresse et modèle du peintre. Elle se tient debout , sous les feuillages d'une clairière de la forêt de Fontainebleau près de Chailly-en-Bière , vêtue d'une robe de ...
Lise com Sombrinha (francês: Lise à l'ombrelle) é uma pintura a óleo sobre tela do pintor impressionista francês Pierre-Auguste Renoir data de 1867. A pintura retrata Lise Tréhot, companheira de Renoir entre 1865 e 1871, a posar na floresta de Fontainebleau. Lise usa um vestido muçulmano e segura numa sombrinha de cor preta, para a ...
Lise Tréhot commença à poser pour Auguste Renoir (1841–1919) quand elle avait dix-huit ans et lui, vingt ans. Parmi les peintures réalisées à cette époque, on trouve Lise avec un chapeau de paille (1866) et Lise cousant (1867–68). Renoir peint en 1867 un nu de Lise Tréhot, le tableau Diane (1867), mais il ne fût pas exposé au ...
Lise Tréhot, model for Woman with Parakeet, in 1864. Woman with Parakeet is believed to be one of the final paintings depicting Renoir's close companion Lise Tréhot before the model ended her relationship with Renoir and married the architect Georges Brière de L'Isle.
Lise Tréhot, Renoir’s mistress for several years, sat for him in various roles. On the one hand this portrait follows in the traditions of Romanticism with the sitter’s blouse slipping from her shoulder — although without erotic coquettishness — with her dark, tangled hair and the open, frontal pose which still avoids eye contact with the viewer.
Emery Reves and Douglas Cooper each considered this superb - and sentimental - portrait of Lise Tréhot to be the last of many paintings that Renoir made of his favorite model. Cooper even hints that the painting may have been made as a wedding present for Tréhot, who married Georges Brière de l'Isle in Paris on 24 April 1872. The white scarf she wears over her head lends the representation ...
