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John Lennon: Registrazione: autunno 1972: Note: n. 193 : Yōko Ono - cronologia; Album precedente. Some Time in New York City . Album successivo. Feeling the Space . Approximately Infinite Universe è il terzo album di Yōko Ono pubblicato nel 1973. Rappresenta un allontanamento dall'avant-garde dei suoi primi album passando al rock ...
Sleeve notes. FLY Yoko Ono & Plastic Ono Band (with Joe Jones Tone Deaf Music Co.). Yoko Ono: vocals, claves on ‘Airmale’ and ‘Don’t Count the Waves’ John Lennon: guitar, piano on ‘Mrs. Lennon’, organ, automated music machines on ‘Airmale’ and ‘Don’t Count the Waves’ Klaus Voormann: guitar, bass guitar, bells on ‘Mrs. Lennon’, cymbal on ‘O’Wind’, percussion on ...
Approximately Infinite Universe sessions (1972) Yoko Ono: voice Stan Bronstein: saxophone, flute, clarinet Richard Frank Jr.: drums, percussion Daria Price: castanet Gary Van Scyoc: bass trumpet Adam Ippolito: piano, organ, harmonium, trumpet Wayne Gabriel: guitar Joel Nojnn (John Lennon): guitar
5 de ene. de 2022 · 5. Out the Blue. “OUT OF THE BLUE is one of the best songs on the album with MIND GAMES and AISAMUSEN. Once again, it’s a love song for Yoko where John sings (or cries) Yoko came out of the blue to change his whole life that was falling apart.”. 4. Tight A$. “Tight A$ is a fun rocker, but not one of John’s best.
Yoko married John Lennon in 1969, sparking a period of unparalleled production including 4 studio albums in 4 years, a book, 12 films, ... Approximately Infinite Universe (1973) Feeling the Space (1973) A Story (recorded in 1974, released as part of Ono Box in 1992) 3rd group:
YOKO ONO-"Approxima tely Infinite Universe" USA 2LP APPLE (John Lennon/Beatles) Condition: Used Used ... Approximately Infinite Universe. Record Size. 12" Material. Vinyl. Colour. Black. Seller assumes all responsibility for this listing. eBay item number: 115949790242. Postage and handling.
Label: Secretly Canadian. There’s a fury at the core of Yoko Ono’s 1973 rock opus Approximately Infinite Universe that was not apparent on previously recorded efforts. Ono has always been a master of turning pain and sadness into art, but here, there’s a clenched-fist intensity that sets it apart in her deep, unparalleled catalogue.
