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  1. He is in love with Betty, a young woman who is as beautiful as she is wild and unpredictable. After a dispute with Zorg's boss, they leave and Betty finds a place to stay at her girlfriend's house. The girlfriend's lover owns an Italian restaurant and there they find a job. She is obsessed to try to get one of Zorg's books published, but it is ...

  2. Betty Blue. Criterion Collection Edition #1002. When the easygoing would-be novelist Zorg (Jean-Hugues Anglade) meets the tempestuous Betty (Béatrice Dalle, in a magnetic breakout performance) in a sunbaked French beach town, it’s the beginning of a whirlwind love affair that sees the pair turn their backs on conventional society in favor of ...

  3. movie.douban.com › subject › 25857096Betty Blue (豆瓣)

    Betty Blue的剧情简介 · · · · · · Betty Blue is going to solve the mystery of the death of his friend, father, and finds himself among greed, indulgence of the characters, each of whom want their hands on the family fortune, and none of them can not keep their hands off each other!

  4. betty.-blue.-1986.-french.-dc. Scanner Internet Archive HTML5 Uploader 1.6.4 . plus-circle Add Review. comment. Reviews There are no reviews yet. Be the first one to write a review. 63,516 Views . 129 Favorites. DOWNLOAD OPTIONS download 1 file . H.264 IA ...

  5. semanariouniversidad.com › suplementos › betty-blue-un-corazon-de-plastico-color-malvaBetty Blue: un corazón de plástico color malva

    27 de may. de 2020 · Betty Blue es una película francesa dirigida por Jean-Jacques Beineix (su tercera realización) y estrenada en 1986 con el título 37°2 Le Matin, mismo de la novela en la que está basada (37,2º Al Amanecer), escrita por el novelista francés Philippe Djian solo un año antes.El título hace referencia a la temperatura normal de una mujer embarazada al despertar y fue reemplazado en la ...

  6. 『ベティ・ブルー 愛と激情の日々』(原題:37°2 le matin、英題:Betty Blue)は、1986年にフランスで製作された恋愛映画。 概要 [ 編集 ] 監督は ジャン=ジャック・ベネックス 。

  7. 19 de nov. de 2019 · Betty Blue’s glossy surfaces and foregrounded spectacle make it one of the central films of the cinéma du look. But within the film’s sensual aesthetics lies a challenging portrait of a woman who cannot crush herself into the boxes provided for her, and a damning view of the male gaze that subsumes her identity and her struggles in order to maintain its own fantasy of sexual and romantic ...

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