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  1. www.discogs.com › pt_BR › artistAmerican Head Charge Discography | Discogs

    19 de abr. de 2005 · Aaron Zilch - Electronics (mid/late 1999 - January 2003) Bryan Ottoson Guitar (April 2002 - April 19, 2005) (Deceased) Anthony Burke Guitar (fill-in 2006) Chris Emery Keyboards (1996 - 2000), Drums (2000 - February 2006, 2011 - June 2016) Ted Hallows Guitar (2013 - June 2016)

  2. es.wikipedia.org › wiki › American_Head_ChargeAmerican Head Charge - Wikipedia, la enciclopedia libre

    American Head Charge fue una banda que practicaba una música entre el industrial metal y el nu metal procedente de Minneapolis, Minnesota, Estados Unidos.La banda se formó en 1997, y su nombre no tiene ningún significado en concreto, según los miembros de la banda. Su mejor época llegó cuando el nu metal estaba en pleno apogeo, siendo teloneros de Slipknot en España en la gira del ...

  3. www.ableton.com › en › certified-trainingCertified Training | Ableton

    Aaron Zilch has been making electronic music for over 18 years. As a teen, his bedroom was a jungle of wires connecting a modular menagerie of hardware drum machines, samplers, and early digital audio workstations.

  4. en.wikipedia.org › wiki › The_War_of_Art_(American_Head_Charge_album)The War of Art (American Head Charge album) - Wikipedia

    This is the band's only album with Aaron Zilch on samplers, and David Rogers and Wayne Kile together on guitar. After the departure of Zilch, Fowler remained the band's sole keyboardist/sampler. The album landed American Head Charge a spot at Ozzfest 2001.

  5. blabbermouth.net › news › former-american-head-charge-keyboardist-to-remix-crookedFormer AMERICAN HEAD CHARGE Keyboardist To Remix CROOKED

    29 de mar. de 2003 · Former AMERICAN HEAD CHARGE keyboardist Aaron Zilch will be remixing three CROOKED tracks ("Stitches", "Mistake", and "Shift"),to be made available exclusively at the group's upcoming shows. Buy ...

  6. www.ableton.com › en › certified-trainingCertified Training | Ableton

    Aaron Zilch has been making electronic music for over 18 years. As a teen, his bedroom was a jungle of wires connecting a modular menagerie of hardware drum machines, samplers, and early digital audio workstations.