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  1. Housing two UK top 40 tunes, along with one hitting the number three spot, The Housemartins debut album London 0 Hull 4 played its part in paving the way for Britpop to come with its jangly hooks, clean guitar, and authentically British artistic ideals. Alongside the longer term impact of the record, The Housemartins established themselves as one of the essential English indie rock acts of the ...

  2. 19 de sept. de 2014 · View All. whu. 90. This is genuinely one of the most underrated albums I’ve ever heard in my life. The vocals are incredible and so is the music. Honestly I’m shocked this isn’t as popular as it should be. The songs are genuinely very powerful and imaginative. I advise anyone that enjoys the smiths or jangle pop in general to give this a ...

  3. In Rainbows. Radiohead. Matrix/Runout is a little different in a copy I have: Barcode (Scanned): 075596050128. Matrix / Runout: 2 60501-3 SRC+06 M3S2. SPARS CODE: AAD. View credits, reviews, tracks and shop for the 1986 CD release of "London 0 Hull 4" on Discogs.

  4. El grupo británico Housemartins debutó en 1986 con “London 0 Hull 4”, un meritorio disco con sonidos que aúnan el jangle pop de los Smiths con el post-punk de A Certain Ratio o el pop de los 50 y 60 con influencias, expresadas por el propio P. D. Heaton, del cristianismo y de Karl Marx.. Producido por John Williams el LP contiene canciones como “Happy Hour”, radiante y pegadizo pop ...

  5. Think For A Minute. 3:31. We're Not Deep. 2:16. The Housemartins - London 0 Hull 4. 0:00. Housemartins: The Mighty Ship. 1:51. View credits, reviews, tracks and shop for the 1986 Vinyl release of "London 0 Hull 4" on Discogs.

  6. The Housemartins: Pubblicazione: ottobre 1986: Durata: 46:55 Dischi: 1 Tracce: 12/16 Genere: Indie pop: Etichetta: Go! Discs ... The People Who Grinned Themselves to Death . London 0 Hull 4 è l'album di debutto della band inglese Housemartins, pubblicato nell'ottobre del 1986 dalla Go! Discs L'album. Prodotto da John Williams e ...

  7. London 0 Hull 4 is not an essential album, and not even the best in the Housemartins' slim catalogue (that honour falls to the 1988's post-split compilation Now That's What I Call Quite Good). Still, the album is arresting and worth a listen should the opportunity arise.